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Georges-Henri Denys Arcand CC GOQ (born June 25, 1941) is a French-Canadian film director, screenwriter and producer based in Montreal, who crafts deeply personal and thought-provoking films, earning international acclaim.
His career began with features like "Une Maudite Galette" (1972) and "Gina" (1975), exploring diverse narratives.
"The Decline of the American Empire" (1986) depicted Quebecois intellectuals tackling issues of sexuality, success, and intimacy, winning critical acclaim, nine Genies, and a Cannes Fipresci prize.
"Jesus of Montreal" delved into the lives of Montreal artists portraying biblical figures, blending day-to-day struggles with religious performances.
Arcand's film "Stardom" satirized fame, closing Cannes 2000 and opening TIFF, a rare honour for Canadian cinema.
"The Barbarian Invasions," a sequel to his earlier work, earned Arcand an Oscar, Cannes prizes, French Cesars, and Quebec Jutra awards, solidifying his cinematic legacy.
After the birth of his grandson, Bobby Roth undertakes a cinematic investigation as to what constitutes being a "good man" in today's world. This voyage of discovery leads him to interview more than fifty of his friends, both men and women who he considers to be "good people," about their views on everything from how they were parented to their thoughts on feminism, change, and regrets they might have. Their answers both surprises and enlighten both the viewers and Bobby, himself.
In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, Jean-Michel, a 70-year-old single man, has lost all his bearings in this society. He lives in a retirement home located in a heritage building, managed with care and precision by Suzanne. Their peace is shaken by the arrival of young activists who demand the destruction of a historic fresco. Overwhelmed by an era dominated by political correctness, Jean-Michel will regain faith in humanity with the birth of an unexpected love.
Marc Labrèche, the Director of this documentary, himself an author, actor and host, meets other creators to ask them these questions that inhabit him. Do artists have an expiry date? Do we create our best works in our youth or, on the contrary, does experience allow us to develop a greater mastery of our medium? In this respect, are there important differences between the different forms of art such as music, cinema and literature?
A shy and insecure delivery driver arrives on the scene of a robbery-gone-wrong and picks up two bags of cash and hides them in his truck. He is interrogated by two tough police detectives and manages to evade suspicion but he is warned that whoever owns the money will be looking for it. Only the help of a prostitute and a former biker recently released from jail might get him out of trouble.
The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people. Everlastingly looking for Stanley, Marcel’s only friend, they meet an unlikely crowd of extravagant characters. Each has a story to tell, his hope to share.
In a Canadian metropolis, failed actor David shares a place with the bookish Candy, whom he dated before coming out as gay. While David, who now waits tables, pursues an aimless romance with a younger coworker, Candy dabbles in both same-sex and heterosexual affairs. As David and Candy's odd assortment of friends — including a telepathic sex worker and an ill-tempered yuppie — pass in and out of their beds, a serial murder stalks the city's women.
Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.
Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.
Normande St-Onge works as a clerk in a pharmacy and takes dance classes with the dream of being a cabaret dancer. Her mother, Berthe, has been confined to a mental institution by Normande's uncle, the wealthy lawyer Jean-Paul. But Normande, who does not believe her mother is insane, kidnaps her from the institution and brings her home. Also living with them is Normande's sister Pierette, who has asthma and a drug addiction, Normande's boyfriend Bouliane, who is unemployed and in no hurry to find a job, and a strange young magician named Carol she took in after he was kicked out of his home. All of these people depend on Normande in various ways and exploit her; Normande, desperate to be loved, is driven mad by the demands of her parasite family. When she receives an eviction notice stating that the building will be demolished and rebuilt into a restaurant, it all becomes too much for Normande and her mind retreats into fantasy to protect her from the harsh realities.
Gina is a stripper at a popular local club. Everybody loves her and wants her. One night, a feared gang enters her motel room and gang-rape her violently. Soon afterward, she asks the services of criminals to help her exact revenge on those who attacked her.