In an era of political correctness, identity evolution, protests, cultural scandals, activism, media storms, and other disputes, Jean-Michel, a 70-year-old single man, has lost all his bearings in this society. He lives in a retirement home located in a heritage building, managed with care and precision by Suzanne. Their peace is shaken by the arrival of young activists who demand the destruction of a historic fresco. Overwhelmed by an era dominated by political correctness, Jean-Michel will regain faith in humanity with the birth of an unexpected love.
With his charisma, his energy, his integrity - but also his faults - René Lévesque left an indelible mark in the collective imagination of Quebecers: that of a hero of a people. But how can we measure his legacy, 35 years after his death and 100 years after his birth? From Montreal to New Carlisle, L'Actualité journalist Guillaume Bourgault-Côté crosses Quebec to meet certain relatives, colleagues, experts and artists who rubbed shoulders with the man, literally and figuratively. Together, they try to identify what remains of René Lévesque. By traveling through Quebec, we will better understand the legacy left by René Lévesque 100 years after his birth, 35 years after his death: his role in the sovereignist movement, the development of public and economic policies, but also the strength of his personality, which still today arouses a feeling of deep attachment among the Quebec population, regardless of political allegiances. (Translated from French.)
A shy and insecure delivery driver arrives on the scene of a robbery-gone-wrong and picks up two bags of cash and hides them in his truck. He is interrogated by two tough police detectives and manages to evade suspicion but he is warned that whoever owns the money will be looking for it. Only the help of a prostitute and a former biker recently released from jail might get him out of trouble.
Julie, star cyclist, is two races away from winning the World Cup. It is the culmination of years of effort. Julie loves the spotlight. Her entourage too. Encouraged by her coach and doctor, she has been doping since the age of 14. When her doctor denounces her, she manages to hush up the case, but the extent of the mess leads to abuse, lies, and treason. Caught in a gear that goes beyond her, will she succeed in finding a way out?
After an hockey game in Lac St-Jean, the National climbs into their bus and begins the long ride from Roberval to Quebec City. On one of the sharp curves around Mount Apica, catastrophe strikes. The bus slams into the mountain and half the players dies. Now the team faces its greatest challenge: rebuilding.
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.
An adult Martin Roy reminisces about his life in the 1966/67 school year. At fifteen years old and in his last year of junior high school, he breathed, ate and slept hockey. He collected hockey cards, played street hockey with his friends, tried skating and ice hockey for the first time in his life, but was most fascinated with his local national league team, the Montréal Canadiens, and its star player, Henri Richard. He dreamed of growing up and working for the Canadiens franchise. But a more immediate goal was to get tickets to one of their games, using M. Richard and his banker father, Hervé, as possible conduits to that goal.
In this tragicomedy, Toni is the director of a staged rendition of Othello in Montreal. It is a pet project of his, financed by his loving mafia uncle. Unbeknownst to him, the audiences are also rounded up (and paid) by the same uncle. Some of them have seen every performance of this tragic play, and are understandably bored, so when the backstage romantic shenanigans of the actors result in absurd situations onstage, the audience is delighted. There are a huge number of romantic situations going on in this film at the same time. One of them involves Gaston a somewhat world-weary jazz musician, and Florence, a glamorous middle-aged woman who has been pining for him for years. Another involves to members of the musician's jazz trio. Yet another involves the play's Desdemona, Soledad, the girlfriend of the man playing Othello, who can't keep his hands off his (female) dresser.
Two children find themselves trapped in their school, the day before Christmas Eve. Their vigilance and resourcefulness are no match for the locked doors, barred windows and the snowstorm that, by causing a power outage, deprives them of light and heat. Worried, frozen, hungry, they confront each other, support each other, console each other in order to overcome their fear. More than courage, it is the discovery of solidarity that will allow them to emerge stronger from this journey to the end of the night.
On Christmas eve a journalist witnesses a theft in a mall and then tracks one of the thieves to later be taken as his hostage in the radio station he works for.