Sacré Georges 2017

The Great Obsession 1985

This documentary produced for TV follows a project consisting in remaking the journey of discoveries in the footsteps of Cartier's book. Sailors, some from Saint-Malo, others from the river, were entrusted with the care of navigation.

The Lady of Colours 1985

In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

C'était un Québécois en Bretagne, Madame! 1977

Feature-length documentary on Hauris Lalancette, a Quebecer from Abitibi, who travels and draws surprising parallels between two corners of the country that are considered destitute and left behind. It is also about the search for ancestors and the nostalgia for old jobs that were better, both on the human level and on the technical level.

Back to the Land 1976

Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).

They Called Us "Les Filles du Roy" 1974

The history of the roles of women in Quebec society, beginning with the women shipped from France to the New World by the King to populate the colony with the men already there, and ending with the modern career woman.

Souris, tu m'inquiètes 1973

J'me marie, j'me marie pas 1973

Feature-length documentary directed by Mireille Danserau in 1973: in-depth interviews with four young women who explain their complex relationships with men, motherhood and their own femininity, sometimes radically detaching themselves from the standardized and traditional conception of the couple.

Le bonhomme 1972

Mon oncle Antoine 1971

Set in cold rural Quebec at Christmas time, we follow the coming of age of a young boy and the life of his family which owns the town's general store and undertaking business.

The Times That Are 1967

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.