An older brother who can't fit into society, a father who has given up on his future, and a younger sister who is tied to the house. This is the story of the small steps these three people take. The Great East Japan Earthquake suddenly changed the peaceful daily life of the people of Fukushima. Many people lost their homes and jobs due to not only the earthquake and tsunami, but also the nuclear accident, and left Fukushima. This is the story of a family living in the aftermath three years later, in Fukushima, where deep scars remain.
A film from "Summer," the first group of works from the Love & Eros CINEMA COLLECTION 2nd season, created by filmmakers from various fields on the themes of love and sex. Depicts a somewhat unusual love situation comprising a trio of girls and a guy. Jun (Hamada Shoko) has a boyish appearance, and a trifling incident leads to her debut as a male model. She has a crush on crash-pad provider Tetsuro (Kasahara Hideyuki), but he is infatuated with magazine editor Erina. Is there any hope for the romantic fulfillment of Jun, who Tetsuro mistakenly believes to be guy?
Seeking the "woman of his dreams", Kikunosuke visits Hokkaido and meets Masumi, the only daughter of the Zippi Ranch that raises great racing horses, Okamura, her grandfather, and Yamada, a stable hand who is secretly in love with Masumi. Zippi Ranch is targeted for acquisition by Sengoku Farms, which has constantly acquired small ranches. Naoto, the son of Sengoku, grew up with Masumi and raped her in the past. With the horrible experience, Masumi has become fastidious about sex. Began working at Zippi Ranch, Kikunosuke spends a night with a hostess, Ayumi, whom he met at a club Naoto owns. Sleeping with numerous customers to support the club, Ayumi has been sexually frigid, but Kikunosuke gives her an orgasm with his technique, Kinuta. The sex master, Kikunosuke, stands up to rescue a troubled woman mentally and physically.
Hayato comes back to his home village after father breaks his legs and cannot walk anymore. He brings his wife Ami along with him, who had a miscarriage and has been dysfunctional and depressed ever since. Hayato hangs with his old friends and enjoys the life of the village, but Ami is a city girl and is growing lonelier. She finds comfort in the arms of Hayato's father. It's not long before everybody in the small village is aware of their relationship... except Hayato... A drama about betrayal and the illogical nature of love and happiness.
Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.
The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.
Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.
Minori is a head-strong photographer who is romantically involved with Kushida, her editor. On a photography assignment she gets into an argument with her subject, Ageha, a female erotic manga artist who, like Minori, is 30 and single. Shin'ichi, the journalist on the assignment, receives most of the blame for the failure of the project. Minori sleeps with Shin'ichi, then discovers that her own position is not as secure as she thought, when she suspects that Kushida is also involved with Ageha. The series of events causes Minori to reconsider her own lifestyle.
“When 28-year-old Tomomi is dumped by her boyfriend she seeks solace in the arms of 20-year-old student, Takao. A relationship develops through which Takao comes of age sexually and Tomomi discovers a side to love she has previously not known.”
A mentally disturbed prostitute claims to have lost her baby in a heavy S&M session. As she begins a similar relationship with a man whose wife left him because of his kinky urges, their mutual mental deterioration leads them down a spiral toward a double-suicide pact.
Kasumi Yuka heads the cast of this silly softcore film from Hisayasu Sato, the usually far more sober cult filmmaker known for grim depictions of alienation and sadism. Yuka plays a cranky harridan who uses her vibrator to administer questionably effective punishment to people who annoy her.