A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.
The life and the lovers of a few young women in a provincial town.
Argentinísima II is a film filmed in Argentine colors directed by Fernando Ayala and Héctor Olivera according to their own script that premiered on June 21, 1973 and whose main actors were Ginamaría Hidalgo, Eduardo Falú, Jaime Dávalos and Raúl Barboza. The continuation was planned for 1974 as Argentinísima III with a plot by Jaime Dávalos, but since problems with the title and intellectual property could not be overcome, it was not made.
Chris Miller, living with her stepmother in a large secluded mansion, finds her isolation interrupted by the arrival of an unknown scythe-wielding killer.
In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after.
Southern France, 19th century. Teresa, a young girl, arrives at an isolated female boarding school that is tyrannically mastered by Mrs. Fourneau, the strict headmistress, whose protective shadow haunts Luis, her weak son.
Juan arrives in Madrid with the intention of succeeding as a singer. With the only company of his guitar, he goes from club to club asking for work.
An army captain in Argentina learns why his lonely men are deserting to an outlaw's gaucho gang.
The title of this story is taken from the name of the great Argentine singer Carlos Gardel, the idol of the antihero Toribio portrayed by Alberto Argibay. Toribio's goal in life is to emulate the famous singer and making his own way successfully in the music business. Yet at the same time, he does not stop his illegal means of making ends meet, stealing and petty thievery. Discouraged when his big break never quite materializes, Toribio heads for disaster when he joins up with a large smuggling scheme.