At the height of the Cold War, a troubled soldier forms a forbidden love triangle with a daring fighter pilot and his female comrade amid the dangerous surroundings of a Soviet Air Force Base.
Three male friends decide to travel to Harakasa, a city far from Tallinn because Veikko needs to solve a problem there.
Artur is an Armenian guy who dreams about a career in filmmaking, but his grandfather wants him to take over the family wine business. When a bad review from an Estonian critic threatens to ruin the family business, Artur has to go to Tallinn to set things straight. There he meets the feisty Ingrid and things take an unexpected turn.
A secluded fast food joint next to an empty parking lot, where it's good to go because nobody recognizes you there. On a rainy autumnal day, people show up one after the other – all of them on the verge of a breakdown – or perhaps a breakthrough? The main character, Waitress, sees and absorbs it all. One by one – through their personal drama – the clients push the Waitress towards her own edge.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.