film diperankan suneel sinha
Jai Jackky Bhagnani born and brought...Mitron 2018
Jai (Jackky Bhagnani), born and brought up with middle-class values, has a ‘take it easy’ approach to life. Since he doesn't believe in herd mentality, he and his two best friends, Raunak (Pratik Gandhi) and Deepu (Shivam Parekh) start looking for unique ways to make it big in the world. During this trial and error phase, Jai realizes his dream. But his decision of choosing an unprofitable career path doesn’t go down too well with his father (Neeraj Sood), who has bigger aspirations for him. Therefore, in order to bring stability in his life, his father decides to get him married. Destiny, however, has something else in store for Jai, when he accidentally meets Avni (Kritika Kamra), an ambitious, MBA graduate, who wants to start her own business. Set in the backdrop of the Gujarati milieu, the film traces Jai and Avni’s personal journey, as they both find themselves and discover the true meaning of friendship in the bargain.
Upon realizing the extent to which...
An insomniac university professor fears as...Maroon 2017
An insomniac university professor fears as his wife has gone missing and is clueless resulting him driving Marooned in the house through the psychological traumas.
A grandfather police officer and a...Te3n 2016
A grandfather, police officer and a priest join hands to investigate and find a missing child.
The friendship of four friends turns...
A realistic hardhitting portrayal of terrorism...Maachis 1996
A realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.
Shanichari is a beautiful girl born...Rudaali 1993
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
