Gabriella, a maid, wears a jewel at a dancing party which belongs to her mistress, and when it is stolen she is accused of the theft and sent to jail. Some other maids organize a search party for the real thief who seems to be a moustached youth who continually sings a popular song.
Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.
Andrea, a young and charming florentine mechanic in the 1950s, romances five beautiful women simultaneously, enjoying life without really committing to anyone, but in the end who wants to grasp all lose all.
The lives and loves of five Italian telephone operators. One is betrayed by her husband, one helps a student who wants to take his life, one changes her boyfriend every other day, one is a single mother and the last one tries to inflame a recent-widower accountant.
Anna's Sin tells the story of a black American actor (Johnson) who falls in love with a white woman playing Desdemona to his Othello on the Italian stage.
Early Antonioni documentary short on the making of Fumetti (Italian photo comics) and their role in Italian society.