film diperankan rudi van dantzig
On May 5 2002 a conversation was broadcasted...Het Testament van de Danser, de Dichter en de Tekenaar 2002
On May 5, 2002, a conversation was broadcasted by the Dutch interviewer Wim Kayzer and three Dutch artists: the choreographer and writer Rudi van Dantzig (then 68), the songwriter and poet Willem Wilmink (then 65) and the illustrator-storyteller Marten Toonder (then 90). Three artists who would leave behind a magnificent legacy in terms of imagination, poetry and dance. But also three modest muses: they did not often and certainly not loudly beat the drum, while their work gave every reason to do so. Wim Kayzer had asked them to draw up a provisional testament. A testament about love, suffering, sexuality, the society in which they grew old, their work, their dreams, their youth, the Second World War, liberation, death and God.
The career of a classical ballet...The Dancer 1994
The career of a classical ballet dancer is short and often riddled with injuries, and it takes a special kind of artist to submit to the discipline and strenuous regimen needed to dance with a world-class company. Follows the young and gifted Katja Björner through years of intensive training at the Royal Swedish Ballet School as she develops into an international ballet star.
In the occupied Netherlands near the...For a Lost Soldier 1992
In the occupied Netherlands near the end of WWII, a young teenager, Jeroen Boman (Maarten Smit) is sent to the Dutch countryside to avoid the war in Amsterdam. While living with his adopted family, Jeroen meets and becomes friends with a Canadian soldier named Walt Cook, who is stationed at the same town he is staying at. Joroen and Walt spend a lot of time playing around and eventually a romantic relationship develops between them. The boy’s sexual curiosity leads him to have a sexual experience with Walt, an encounter that is shown with some vague detail but without actually showing any nudity, even though sexual intimacy between the two of them is implied. Overall, the movie handles this difficult subject with an elegant style and feeling, without having the adult-child relationship overwhelm the viewer and thus allowing the movie to be seen as just a wartime relationship between two people that marks an important time in a young boy’s life.
