International pop star Natalia Oreiro returns to western Europe for a non-stop concert tour through seventeen cities around the former USSR, traveling in the Orient Express. In this first person journey, Natalia also explores her personal and intimate life that started in a blue-collar neighborhood in Montevideo, Uruguay, and went into becoming a world-wide star and a Russian icon.
Aided by archival footage and interviews with its key figures, this documentary delves into the history of Argentine rock music from its origins up to the mid-1990s.
CEMENTO lived for nineteen years that spanned three key decades for the democratic history of Argentina. How much of relevance is the rock in this adventure of living in real democracy is difficult to estimate, but rock denounced, rock was containment, rock was a source of pride. Rock is culture and had a house where it developed, CEMENTO. We make CEMENTO - The Documentary - because we think that a people that forgets its milestones is a people destined to fail. We want to reflect in audiovisual format what CEMENT was, its origins, its facilities, the public opinion, its anecdotes and its imprint in the culture, narrated by musicians, producers and workers who gave it life.
‘Solo‘ is a documentary designed to pay tribute to Alejandro “Bocha’ Sokol, Argentine rock musician, vocalist and composer, founder of bands like Sumo and Las Pelotas.
The filming -in high definition- corresponds to the two concerts held in June 2010 at Luna Park, with which Divididos officially presented his latest album, Amapola del 66. For almost three hours, Ricardo Mollo, Diego Arnedo and Catriel Ciavarella review almost entirely that album and they are shipped with other classics of the band and covers.
Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.