Summer 1890. In order to make some money to feed his family, Anton Chekhov, modest physician, wrote short stories for newspapers to sign Antosha Tchékhonté. Important characters, writer and editor, just make him aware of his talent. His situation is improving and Anton Chekhov gets the Pushkin prices and admiration of Tolstoy. But when one of his brothers died of tuberculosis, Anton saw it as a personal failure and wants to escape his fame and his love.
At fifty Louis Gravet, a serious actor, would like to become a comedian. His brother Peter, a film director, has the idea of hiring him for the lead role of a comedy. Family circumstances, their wives, their children, niece, lead him to make another film, new and unexpected.
A young couple finds out what love truly means when one of them has a brush with death. When Anne and Marc met, it was love at first sight, and the longer they were together, the more they realized they never wanted to be apart. But not long after they married, Marc's doctor discoveres some unexpected symptoms...
This tale of childhood and adolescence is told through brief sequences that take place in the life of a modest family from the Pas-de-Calais region during the forties, fifties and sixties. Paul, the main character, who we meet when he’s 5, 13 and 18, is the throughline of this tale told in a fragmentary way well adapted to the scattered nature of memories.
June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa, only a physician and his family are spared execution or prison. He and his French wife (her passport ripped up) are sent to Kiev. She wants to return to France immediately; he knows that they are captives and must watch every step.
Though gay-themed stories about "coming out" and accepting one's sexuality are not uncommon in Western countries, such tales are still rare in many conservative African nations. Considered a ground-breaking film in its native Guinea, and filmed amidst a storm of controversy, Mohamed Camara's Dakan is the first of its nations films to directly address issues surrounding homosexuality. The story centers on the romance between two 20-year-old men, Manga and Sory who are first seen making out in a car. The trouble begins when Manga tells his widowed mother about his love for Sory, who is busy contending with his outraged father. The parents insist that the two never see each other again. Manga's mother then uses witchcraft to cleanse her son and change him into a heterosexual. Time passes and eventually Manga begins to date a girl. But it soon becomes apparent that try as he might, Manga's heart belongs to Sory.
Antoine steward on the night train Paris-Venice. He must cards and identity documents of travelers in 'his' pick wagon. One day, a passenger, Jean-Bernard, for protection. He suffers from an unknown illness and he is not alone on the run for scholars who want to use him as a guinea pig, but also for Brandeburg, a trader in human organs.
When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.
Colin and Mailland are small-time crooks on the run who are surprised to find the seven-year-old runaway Savannah is along for the ride. The police and her parents fear she has been kidnapped, and a massive manhunt is launched with orders to shoot to kill the alleged perpetrators. The lovable little girl soon melts the hearts of the crooks, as the trio enjoy an unlikely but sentimental friendship.
Charles Elaine, a famous actor, becomes the target of a man who wants to apply to him a theory according to which you can make someone crazy by manipulating him. Rella, a beautiful young woman, is designed to drive Charles crazy.
The story of Itineraire Bis has no singular plot line, but swings back and forth between the adventures of a young man who wants to buy a pizza truck and the lives of two middle-aged brothers living in an enormous house. One of the brothers is wheelchair-bound and eventually makes the acquaintance of the pizza-driving aspirant and decides to give him the money he needs -- though this act of generosity in no way shields him from his own destiny. Other characters wander in and out of the story, such as Jeanne (Martine Kalayan), the young man's lover.
Gilbert, his brother Boule and some friends live in Estaque. Between carelessness, petty theft and social gloom, they feel like the outcasts of a society where Gilbert has no future. This is the "last summer" that he intends to spend there, dragging his idleness, nevertheless beginning a romance with Josiane, a nice worker.
In this complex chronicle of the evolution of a provincial family's life, the story follows three generations of at least two neighboring families from the 1890s to the 1970s. In one of many related tales, a man who was engaged to the older daughter of a farmer elopes with the younger one. After many years and the birth of five children, the man leaves his wife and family for the bright lights of the city but continues turning up from time to time, until he is finally taken into the home of one of his sons when he is a quite old man. The complex interactions of the legitimate and illegitimate children of a womanizing miner give rise to yet another set of related stories.
Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.
Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…