A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.
This comedy about the "sanity" of those in an asylum focuses on popular Israeli comic Seffi Rivlin, who plays a bank manager who discovers that the inmates of a mental institution are running a counterfeiting operation from the basement of their hospital. Actors exaggerate their portrayals of the patients, and the plot zooms off in several directions at once
The young, recently divorced mother Ronit lives only for her young son and a future with a new man. But then she witnesses the rape of her neighbor Betty and is supposed to identify the perpetrator. His brother, however, does everything in his power to prevent this and does not hesitate to threaten his little son. The terror really begins when Betty, who has been raped, kills herself and the perpetrator is released. Now Ronit has only one option left...to act herself.
Jacquo, a shady owner of a Las Vegas nightclub in Lower Haifa, also runs a brothel and gambling den. His business thrives with an entourage of women, but his heart belongs to Galia, his business partner and top call girl. One night, Galia is severely injured in a fight with another worker. Her middle-class sister Yael rushes to her side, adding to the drama.