Ukrainian Night of the 33rd is series of documentaries about the Holodomor, which includes the “Fear”, “Horror”, “Guillotine”, “Case of Hrushevsky.” Each part is full of horror, and the viewer is constantly in tension.
The film is dedicated to the events of the early eighteenth century, the time of Hetman Ivan Mazepa.
The film is dedicated to the historical period of the XI-XIII centuries, the times of Kyivan Rus and the Galician principality.
An outstanding poet, student of Oleksandr Dovzhenko, Mykola Vinhranovsky reads excerpts from his teacher's diary, comments on it - thereby emphasizing the tragic fate of the great artist. The film uses a chronicle of the war and post-war years.
Village boy Klimko, accompanying his father to the front, stays with his stepmother. In the occupied village, the hero cannot see his friends. Having survived hunger, injuries and loneliness, the boy enters a vocational school - nine kilometers from the village - and works with new friends for the front...
The fishery supervision employee is killed. During the investigation the public law enforcement official has looked out on the trace of the illegal grouping which has serious reasons for the commission of more considerable crimes than the illegal animals killings.
The film is set on an island in the Pacific where a hydrogen bomb is being tested. A group of local fishermen die from radiation sickness. The inventor of the bomb, American scientist Thomas Sherwood, also receives a large dose of radiation and is now terminally ill. Once he professed the theory of "redemption through his own suffering," but now, in the face of death, he realized that such atonement does not benefit anyone.
The German intelligence officer Sturmer, under the guise of captain Voron, commits sabotage one after another with the aim of reaching the commander of the partisan detachment of Stration. Galinka, the daughter of Stration, who fell in love with Voron, invades their duel.
Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and… Finally, he returns to his village, and meets Oksana. —Yerevan International Film Festival
Once again, director Yulia Solnsteva directs a movie that her late husband Alexandre Dovchenko scripted but did not live long enough to shoot. In this wartime drama, the emphasis is on the heroics of both the civilians and the soldiers during times of severe stress in World War II. At the core of the action is one man in particular, whose sacrifices and heroics speak for a much larger group.