Letters 2025

Yellow Bus 2023

In the sweltering Arabian Gulf heat Ananda’s dreams of a better life than the one she left behind in India are shattered after her child is forgotten on a school bus. Armed with the dead child’s ashes, she stands up against society’s ‘invisible’ caste, demanding accountability and refusing the customary blood money.

Take Me to the Cinema 2022

We follow the journey of former soldier Nassif, who fled the war in Iraq by hiding in dark cinemas. During this time, he used to watch his favorite film, “Papillon” (1973), starring Steve McQueen. Nowadays, he is looking for this film among the Iraqi cinemas’ ruins. The search for this lost film copy in the old and obsolete cinemas becomes the sole purpose of Nassif and his primary motivation to leave his house. “Take me to the Cinema” allows us to discover Baghdad through Nassif’s eyes as he takes us to streets that contrast with his silent and quiet world. A lot has changed in today’s Iraq. The street where cinema theaters were is now a market that sells military uniforms. It is crowded with young men, fitting military shirts and shoes. The quest for “Papillon” becomes the quest of character, who does not want to acknowledge the transformations of his city, and who wants to cling on to its luminous past through the light of cinema and his inner world.

The River 2021

It's autumn. A man and a woman are about to leave a restaurant situated in the heart of the Lebanese mountains. They are suprised by fighter planes screaming past at low altitude. In the distance, war seems to be breaking out once more. Losing sight of the woman, the man starts looking for her. He finds her on the other side of the mountain. Together they sink deeper into nature, which becomes increasingly spectral, just like the slender thread that ties them to each other.

My Name is Mei Shigenobu 2018

A delicate portrait of Mei Shigenobu, daughter of the founder of the Japanese Red Army in Beirut, Fusako Shigenobu.

3000 Nights 2015

Iman, a young newly wed Palestinian bride, is arrested and incarcerated in a top-security Israeli prison where she gives birth to a baby boy. As she struggles to survive and raise her child behind bars, she is torn between her instinct as a mother and the difficult decisions she must make, finding through her relationship with the other prisoners - both Palestinian and Israeli – the time and space to reflect, develop and mature as a young woman.

Scheherazade's Diary 2013

In 2012, after a 10 months drama therapy workshop, the women inmates of a Beirut prison presented their play Scheherazade in Baabda inside prison to the audience. This film follows the women during these 10 months. The women tell their stories showing how difficult it is to be a woman in Lebanon, and in general in the Arab world, which is governed by a patriarchal mentality. They convey the voices of all women who are imprisoned by oppressive mentalities which in many cases lead women to crime.

12 Angry Lebanese 2009

For 15 months, 45 inmates, some completely illiterate, worked together to present an adaptation of Reginald Rose's famous stage play 12 Angry Men.

The Shadow of Absence 2007

"Born in Palestine. Died in Lebanon." "Born in Palestine. Died in Syria." "Born in Palestine. Died in Jordan." The camera pans across an endless row of white tombstones. The Shadow of Absence takes death as its subject yet in doing so presents a powerful statement about Palestinian life. Weaving elements of his own story of dislocation into the Palestinian collective narrative, filmmaker Nasri Hajjaj reverses the usual focus of the Nakba documentary by exploring the denial of the Palestinian right to death and burial in the homeland.

Women Beyond Borders 2003

Acclaimed director Jean Chamoun looks at the lives and works of some of the women who have joined in the fight for their Palestinian homeland. We learn of young resistance fighter Kifah Afifi’s experience as a survivor of the 1982 Shatila massacre in Lebanon when she was just twelve years old. She tells about fighting the Israeli occupation of South Lebanon in the 1990s and of her imprisonment in the Khiam detention facility, which was run by Israel’s auxiliary militia, the South Lebanon Army.

Once Upon a Time in Beirut 1995

Two young girls of the war generation, Yasmin and Leila, are in search of Beirut. When they meet an elderly film enthusiast with a secret store of Lebanese films, they persuade him to screen his collection for them. So begins an initiation into the myths and images of Beirut, but the girls want cold figures and facts, war babies indifferent to the memories evoked.