Half-senile Ossi and his wife travel to celebrate Ossi's 75th birthday at an old people's home where most of their friends are already staying. Just before the festivities Ossi suddenly disappears and goes on tour to 'make an inventory of his life'. He checks into a hotel, poses as a publishing director to lure an aspiring female novelist, next travels to bother his old mistress and her new husband with his surprise visit and obnoxious comments, then goes to see his son for the first time in 34 years just to receive an even colder treatment. Meanwhile, his equally demented wife goes looking for him with a local policeman.
Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.
Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.