film diperankan mako idemitsu
Video began as a medium that...KIKAIDE MIRUKOTO = Eye Machine / To See by Chance –The Pioneers of Japanese Video Arts– 2013
Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works of video, performances, and installations created using video technology that allowed for free and creative visual expression.
The psychosexual drama Yoji Whats Wrong...Yoji, What's Wrong With You? 1987
The psychosexual drama Yoji, What's Wrong With You? examines the identity of women as mothers in Japanese culture, through an Oedipal narrative of a skewed "family romance." When Yoji announces to his mother that he wants her to meet a new girlfriend, the mother's jealousy destroys the relationship. Idemitsu's signature device of using a television monitor within the domestic space works as a powerful metaphor for the ubiquity of the mother in Yoji's psychological life. Idemitsu's melodramas always articulate a double-edged irony: With no identity outside of her maternal role, Yoji's mother fastens onto her son, ultimately destroying him. Yoji himself is seen as emotionally stunted, unable to leave his mother or experience love for any other woman.
A plan of a house that...Housewives and a Day 1979
A plan of a house that is reminiscent of a miniature garden used as a psychological treatment to assist in self-confirmation at a middle-class housewive’s tea party.
A woman performs domestic chores watched...
