Catholic priest, Myeong-jun, climbs up one of the bridges crossing the Han River to commit suicide after learning that a woman who loved him in the past, has killed herself. Then Jang-hyo, a homeless person, tells the man on the bridge that he bet with other homeless people that the suicide attempt will fail. Myeong-jun jumps into the river anyway. But Jang-hyo rescues the suicidal priest and lets him join the homeless community. Chu-ja, a transgender homeless person, is on bad terms with his daughter. When he hesitates about attending his daughter’s wedding, the two men visit the daughter and ask her to forgive her father. Another homeless person, Maria goes to a soup kitchen at a Catholic church, where she sees the beautiful nun Angela. Maria, who was pregnant at the time, gives birth to a baby later and decides to remain at the church to be a sister. Despite their own painful history, each of these four people finds a way to reconcile with the past.
The story of people who really wanted to be happy | Like walking slow, like singing joyfully, it's living. Legendary rock singer Tae-soo (played by Kim Sang-joong), who dominated the music scene in his childhood, visits his son Gun-sung's house in 15 years. Tae-soo, whose philosophy of life is to live so roughly that even his son's name is Gun-sung, is far from the traditional image of a responsible and sacrificial father. Meanwhile, son Gun-sung is a man of good living who prepares music and study step by step as planned so as not to be like his father, and I don't like Tae-soo, a father from one to ten. The relationship between the two, which is a mixture of affection and affection that has been building up for 15 years in a quarrel, is hardly narrowed.
An orphaned boy falls in love with and writes anonymous letters a to 30-year old woman because she reminds him of his mother.
Eun-hee is an extravagant and selfish woman who lives a life of luxury. She constantly swears, acts extremely careless, and is unashamedly tactless. Yet she somehow manages to be loved by both her husband, Doo-chan, and Keum-sook, a childhood female friend.
A deaf man and his girlfriend resort to desperate measures in order to fund a kidney transplant for his sister. Things go horribly wrong, and the situation spirals rapidly into a cycle of violence and revenge.
A former safecracker makes a living as a taxi driver but continues to be haunted by her past. One day she chances upon an aspiring singer, who is a spitting image of herself back in the day. Together, the two women plot to steal money from gangsters.
A dweeby, mild-mannered man comes to the aid of a drunk young woman on a subway platform. Little does he know how much trouble he’s in for.
Te-o begins life as a lonely son of a high-ranking officer. He buys his friends with money and ice cream. Eventually two of these boys, the orphans Euglena and Amoeba, become real friends. Years later, Te-o abandons his overseas education and returns home. He finds Euglena making a living as an artist the hulking Amoeba had suffered a head injury which has arrested his mental development. After drinking, the three friends are stopped by a police officer. The police officer is accidently killed by a garbage dumpster and, even though the Te-o, Euglena, and Amoeba are innocent, the policeman's partner demands that they pay 20 million dollars in return for their freedom. From there is becomes a comedy of kidnapping, corruption, and chaos.
Yu-jin is very excited at the news of her sister's returning home. Her sister, Seung-jin, is supposed to come with her husband, Jin-ho. However, Jin-ho tells Yu-jin that Seung-jin committed suicide. Jin-ho seduces the upset Yu-jin, and Yu-jin's husband suspects that Yu-jin and Jin-ho have an affair. But Yu-jin cannot believe that her sister is dead. Yu-jin meets a man who has the same email ID ad her sister.
Two North Korean soldiers are killed in the border area between North and South Korea, prompting an investigation by a neutral body. The sergeant is the shooter, but the lead investigator, a Swiss-Korean woman, receives differing accounts from the two sides.
Han is a suicidal saxophonist, Mun is a violent simpleton with an I.Q. of 80, and Maria is a single mother with dreams of becoming a nun. Han has tried numerous times to kill himself, but nothing ever works. After witnessing his wife's infidelity, it's the last straw.