film diperankan kerstin avemo
You could have a blow job...Powder Her Face - La Monnaie / De Munt 2015
‘You could have a blow job aria – begins with words, ends with humming.’ Using the story of a public scandal, the librettist Philip Hensher inspired the 23-year-old British composer Thomas Adès to portray the fall of the libertine and notorious socialite beauty the Duchess of Argyll, remembered in history as the Dirty Duchess. Powder Her Face is inspired by a sex scandal in 1963 that shocked the British upper class.
Bregenzs Tales of Hoffmann is different...Offenbach: The Tales of Hoffmann (Bregenz Festival) 2015
Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).
Who loves whom in Cos fan...Così fan tutte 2013
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
