Allegory of the suppression of the 1919 revolution and the advent of fascism in Hungary; in the countryside, a unit of the revolutionary army spares the life of father Vargha, a fanatical priest. He comes back and leads massacres. A new force, represented by Feher, apparently avenges the people, but only to impose a different, more refined and effective kind of repression.
Komora, a young painter and his friends, Mari, a teacher, and the elderly doctor, Szabó, buy a barrack-building situated at the foot of the stone mine of Badacsony. Earlier, the place served as an internment camp. Now, they intend to establish a camp with workshop sessions for fine artists. Mari and the painter fall in love.