film diperankan j c3 a9r c3 a9mie rhorer
In this new Marriage of Figaro...
Don Giovanni prides itself in being...Mozart: Don Giovanni 2016
Don Giovanni prides itself in being a dramma giocoso. Not an easy expression to translate, given how starkly contradictory the terms would appear to be. But dig below the surface and you are plunged into a delightful swirl of ambiguities. Nothing here is set in stone: the libertinage is passionate, but couples meet and part. Fate plays tricks with masks, right up until the final challenge.
At the end of 2013 the year...Poulenc: Dialogues des Carmelites 2014
At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer. Le Figaro described the production as “a thing of wonder,” while Le Monde called it: “A masterpiece ... the most exciting and consummately achieved show to have been seen on a Parisian stage in a long time … This was great work, magisterial and unforgettable.” “The memorable Dialogues des Carmélites at the Théâtre des Champs-Elysées marked the climax of commemorative activities for the 50th anniversary of Poulenc’s death,” wrote Opera magazine of the production of Poulenc’s gripping and moving opera that was staged by the French director Olivier Py in Paris in December 2013.
Il mondo della luna 1777 is a...Il Mondo della Luna 2014
Il mondo della luna (1777) is a sparkling comic opera by Joseph Haydn, with a witty libretto based on Carlo Goldoni’s play. In this award-winning production from the Opéra de Monte-Carlo, co-produced with Teatro Arriaga in Bilbao, visionary director Emilio Sagi crafts a whimsical journey that earned Best New Opera Production at the 2014 Teatro Campoamor Lyric Awards. Set in a world where imagination and deception collide, the story follows the gullible Buonafede, an old man tricked into believing he’s been transported to the moon. Goldoni’s sharp satire on human credulity meets Haydn’s elegant, playful score, full of creative flourishes and refined humor. Known as the father of the symphony and string quartet, Haydn’s operatic genius shines in this delightful fable, long overshadowed by his contemporaries but brought to vivid life in a production brimming with charm, humor, and lunar magic. Prepare for a journey where the moon feels closer than ever!
