Set against the backdrop of his son’s first five years of life—from cooing infant to hurricane of a boy—filmmaker Justin Simms looks at modern masculinity through the lens of fatherhood as he asks an increasingly urgent question: How do we teach our boys to be better men?
In her feature documentary Seguridad, Newfoundland-based filmmaker Tamara Segura—once named “Cuba’s youngest soldier” in a militia publicity stunt—portrays her troubled relationship with her father in the context of the Cuban Revolution. When Segura accepts a scholarship to study film in Canada, the move offers crucial distance from her alcoholic father. After four years, she returns to Cuba hoping to make amends. But her father’s sudden death just days after her arrival forces Segura to explore his troubled past and the role Cuba’s highly militarized system played in his downfall. Through a series of deeply personal on-camera interviews with her immediate family, Segura unearths long-held secrets that ultimately tell a story of resilience and profound love between family members. Seguridad artfully weaves a lifetime’s worth of still photographs into its intimate narrative, which offers a rare glimpse into the inner lives of Cubans in the post-revolutionary era.
In what appears to be a Sisyphean task, Newfoundland diver Shawn Bath has devoted himself to cleaning up the ocean floor one rotting tire at a time. He's already removed 15,000 pounds of garbage single-handedly. Through decades of commercial fishing and tourism, these Atlantic harbours became trash receptacles treated with an out-of-sight, out-of-mind attitude. Driven by passion and held back by bureaucracy, this inspiring story highlights the enormity of human-caused environmental damage and the power of an individual's determination to make the world a better place.
Deanne Foley profiles fellow Newfoundlander Mary Walsh, the Great Warrior Queen of Canadian comedy, musing on time wasted as an object of desire and time well spent as the fearless agent of her own destiny. A joyous call to action.
One fateful night, after leaving a bar in his home town of Nova Scotia, musician Scott Jones was subjected to a vicious and targeted attack which left him paralysed and in a wheelchair. Despite Scott knowing that this was a homophobic hate crime, the assault was not treated as such in the courts, or by the media. As Scott rebuilds his life, he is forced to make sense of the way the incident was handled while also struggling to make peace with his attacker. Taking place across the three years following this life-changing ordeal, close friend and filmmaker Laura Marie Wayne gracefully charts the impact of the attack on Scott’s life, both physically and mentally. The resulting documentary is a tender, heartbreaking and inspiring testament to one man’s strength and resilience.
A feature documentary about the life of former Newfoundland Premier, Danny Williams
This feature film uses Michael Crummey's seminal piece of Newfoundland literature to examine cultural change and modern relationships.
Life on the Rock never seemed easy, but for Mitsy it is especially rough. The teenager has been abandoned by her mother, a particularly unfit parent prone to both the bottle and the sex trade. She is left to be brought up by her mercurial grandmother Bride, who is well-meaning but oppressively suffocating. Mitsy's dreams for the future hinge on her desire to be a hairdresser, but her current emotional well-being revolves around a wee dog named Sparky, an unwanted canine misfit to whom she becomes hopelessly attached. After Bride agrees to let Mitsy take the dog in as a pet, the teen tries desperately to create a happy, safe place for Sparky to thrive.
Natalie, a gifted New York photographer, has a troubled past reflected in her art. When she struggles to make ends meet in the city, her agent, arranges an assignment in Boston for a considerable sum of money. Unable to turn it down in her dire straits, Natalie takes the job -- only to find that her estranged gay brother, Roy, is the employer. Roy wants to mend their broken past, but must convince her to stay long enough to do so.