Spreading the gospel of "Mutation", Joe Rush and his Mutoid Waste Company, an underground collective of wild and subversive performers whose credo is the art made of waste, the parties and the road, shake up the alternative cultural history of Europe.
A celebration of the Irish punk/poet Shane MacGowan, lead singer and songwriter of The Pogues, that combines unseen archive footage from the band and MacGowan’s family with original animations.
British rock icon John Lydon and fellow bandmates recall the years they spent performing as Public Image Ltd.
The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.
As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.
Julien Temple's 2006 documentary film about the famous music festival from 1970 to 2005, featuring performances from artists such as David Bowie, Bjork, Blur, Oasis and Coldplay. The film is made up of footage shot by Temple at the festival in 2002, 2003, 2004 and 2005, as well as footage sent in by festival goers after a request on websites and newspapers for footage. Temple had initially only agreed to make a film of the 2002 festival after organiser Michael Eavis expressed concern that that would be the last year of the festival. Temple then realised that he wanted to make a film detailing the full history of the festival. The film also includes footage shot by Channel 4 and the BBC during their coverage of the festival since 1994. Text from Wikipedia.
Samuel Taylor Coleridge, an unstable but brilliant poet, becomes friends with the unknown William Wordsworth, and together they set out to recreate English poetry in the spirt of liberty and democracy. As time goes by, cracks begin to appear in the relationship. Sam becomes addicted to opium, while William's ego and ambition distance him further from his friend.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
In this musical comedy, Valerie is dealing with her philandering fiancé, Ted, when she finds that a trio of aliens have crashed their spaceship into her swimming pool. Once the furry beings are shaved at her girlfriend's salon, the women discover three handsome men underneath. After absorbing the native culture via television, the spacemen are ready to hit the dating scene in 1980s Los Angeles.
A rock singer goes to Brazil to shoot a video, but winds up getting kidnapped and enduring a number of seemingly bizarre and hilarious events.
A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette, but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. Meanwhile, racial tension is brewing in Colin's Notting Hill housing estate...
Jazzin' for Blue Jean is a 20-minute short film featuring David Bowie and directed by Julien Temple. It was created to promote Bowie's single "Blue Jean" in 1984 and released as a video single. The film depicts the adventures of the socially incompetent Vic (played by Bowie) as he tries to win the affections of a beautiful girl by claiming to personally know her favorite rock star, Screaming Lord Byron (also played by Bowie).
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."