"8 Poems of Emigration" is a found footage film that focuses on the migration crisis. The film, while focusing on the immigration and immigration issue caused by the wild global capitalism, consists of the images and the found footage from the recording of the work named "8 Poetry of Immigration" that John Berger read to the audience in 2007 at the Fine Arts Center in Madrid. The narrative of the movie is revealed by the conflict between image and sound order. With the out-of-context (misuse) use of commercial images and music, the film creates a critical structure that opposes capitalism.
The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home
Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.
Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.
12 August 2002 is the date which was printed on every shot in this film by the memory of the camera. On that day a huge tower which disrupted the north wing of an abandoned castle was torn down, floor by floor. The film is a record of the methodical disruption of this building by inhuman and all-powerful machines. The voice-over consists of a phone call by the author John Berger (1926), who has written numerous and radical opinion pieces in favour of the people of Palestine.
John Berger is one of our most celebrated and respected writers and broadcasters. A former winner of the Booker Prize, he also wrote one of the most influential books on art of our time, Ways of Seeing, which became a landmark documentary series on BBC Television. In Ken McMullen's engaging and accessible film, Art, Poetry and Particle Physics, he travels to the world's biggest particle physics laboratory at CERN in Geneva. The film charts an extraordinary and wide-ranging series of discussions and collaborations between Berger and the leading theoretical and experimental physicists John March Russell and Michael Doser.
The countryside around the Po delta is dotted with abandoned houses and farmhouses. The landscape appears desertic, almost humanless. Some people shares stories about their bond with the land while the italian writer Gianni Celati documents the tragedy and the loss of values in this new landscape of desolation, with a superb narrative style.
This "Play on One" story depicts Jack and his farming family in West Wales. They have built up their dairy herd with vast loans and are then told they must cut back on milk production and slaughter some of the herd. The community launches a campaign against the quotas, but Jack takes the law into his own hands.
A group of individuals are stranded at a small island airport when the flight from the mainland is delayed. At that moment, a stranger appears and begins telling the story of a summer romance in Venice.
Film Essay based on “And Our Faces, My Heart, Brief As Photos” by John Berger.
“Pig Earth” marked John Berger’s first return to television after “Ways of Seeing”. The film, boldly using mostly still photographs, is based on John’s book of the same name, which was both a work of fiction as well as a history of French Peasant experience, as told by John ‘the story teller’, as if in the peasant’s own voices. All of which was given brilliant visual expression in the film through a series of beautifully edited sequences, each constructed from vivid and moving photographs of peasants and their lives, in black and white and colour, by John’s friend and long-time collaborator, the Swiss photographer Jean Mohr.
A look at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" sixties. Max, a dissatisfied copy editor; Myriam, a redhead into tantric sex; and Marie, a supermarket checker who gives unauthorized discounts to the elderly, search for renewed meaning on a communal farm. The title character, a six-year-old child, is the carrier of their hopes for the future.
Paul is married, a successful engineer, and a conservative candidate in an upcoming local election. He falls in love with Adriana, a café waitress from Italy. Paul's party is very critical of foreign labour and wants to keep Switzerland to the Swiss. Where Paul falls deeper and deeper into the relationship and is ready to leave his wife, Adriana feels the social pressure growing and has to make her own decision.
They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.