An actor and a politician start a secret affair and together discover their fetish for having sex in public places. The closer they get to their dream of fame, the more they feel the urge to put themselves at risk.
In the disciplined world of boxing, Fabiana maintains order as a referee, but her life takes an unexpected turn when she decides to adopt Dudu, a troubled 12-year-old boy. To get out of this, she must reconnect with his father, a frustrated actor. While society favors “perfect” mothers, fathers and children, this unlikely trio faces challenges and discovers that family is much more than an ideal model.
In a rural village colonized by Germans, little Ana watches a play about the history of the Thiltapes. It is a dangerous animal that lives in the forest, and no one knows its real form. Two hundred years earlier, a botanist who writes about the region hears about this same animal. The stories intertwine, both in an obsessive search for the imaginary Thiltapes, while at the same time facing their own demons: the weakened botanist eager for a discovery that will justify his trip and Ana intrigued by her father, suspected of having committed a brutal crime against a neighbor’s cow.
After 15 years of living abroad, Amanda returns home with her French boyfriend, Martin. They arrive at her family's large-scale farm, located in a secluded village on the endless plains of southern Brazil. There, Amanda finds her father in a coma in the midst of increasing tension among the workers. The sole doctor in the nearby village is Helô, a young woman who resigns herself to caring for the local townspeople. The imminent death of the farm owner will put Amanda, Martin, and Helô at the heart of a disturbing settlement between the village and the farm owners.
Two friends respond to the challenges of the present by connecting through a playful provocation. Separated by America’s hemispheres, one in Brazil and the other in the U.S, they communicate strictly through video letters during a year. As a rule, each letter is formally and thematically inspired by a woman experimental filmmaker. As life unfolds, they express on film what they want to share with each other: the experience of being a recent immigrant, the expectations of political elections in both countries, their fears and hopes, all while observing the different women around them.
Joana is the victim of a hit-and-run after antagonizing an aggressive driver who cut her off in traffic. On the surface, she’s visibly shaken but manages to walk away unscathed. Intending to shrug it off alongside her partner Cecília, a viral video turns up online, forcing her to process the event. Reluctantly the pair enter the lives of culprit Elaine, her estranged husband Cléber and son Maicon, an introverted budding filmmaker.
A portrait of five people who were important to the filmmaker when he was a child. Apart from a few childhood photos, he himself remains out of the picture. He visits a teacher who used to take care of him, and a gay childhood friend. Their combined stories—about exclusion and terror, but also love—paint a portrait of a small, somewhat oppressive community and a boy who lost his sense of security within it, despite the help he was offered. In his wistful look at the past, Barreto transcends his personal experiences; anyone can identify with his bittersweet journey.
The language that is born from the intersection of cultures, is a pretext to speak of the genesis of Latin America. A road movie that does not seek an answer on the way, but rather to break all possible certainties of what it means to exist at the edges of cultural definitions.
Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.
A documentary floating on this thin border between fiction and reality. An author comes to a small city in Brazil’s countryside, to turn Emelyn’s life into a fictional narrative. The more the author teases Emelyn with cameras, the more she becomes Bernard, a teenager boy divided between living the desire and continuing desiring.
Santiago, Amsterdam, Berlin, Cologne, Paris, London, Porto Alegre, Sao Paulo. The cities that witnessed the brief life of the poet, playwright and writer Caio Fernando Abreu (1948-1996) are now revisited and covered with fragments of his works and memories of his friends, such as Maria Adelaide Amaral, Grace Gianoukas and Adriana Calcanhoto.