film diperankan jesse hoffmann
At a weeklong camp for teenage...She Mad: Bitch Zone 2020
At a weeklong camp for teenage girls, a counselor leads the campers through a series of exercises that blend the language of female empowerment and body positivity with the kind of radical transparency that makes for good reality TV. The exercises culminate in a bizarre group confessional.
After being framed in a murder...
In Comma Boat were stuck in...Comma Boat 2013
In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.
A womans consuming love forces her...Womb 2010
A woman's consuming love forces her to bear the clone of her dead beloved. From his infancy to manhood, she faces the unavoidable complexities of her controversial decision.
