This portrait of the French film theorist and avant-garde director Jean Epstein (1897-1953) concentrates on the period when he filmed in Brittany, the spot where he became inspired by the sea. Using rare archive footage, Jean Epstein, Young Oceans of Cinema also looks at Epstein’s views on the specificity of the film medium.
Thematic anthology of : Le retour a la Maison (1923) by Man Ray; Emak-Bakia (1926) by Man Ray; L'Etoile de Mer (1928) by Man Ray; Les Mysteres Du Chateau de Dé (1929) by Man Ray; Rhythmus 21 (1921) by Hans Richter; Vormittagsspuk (1928) by Hans Richter; Anemic Cinema (1926) by Marcel Duchamp; Ballet Mecanique (1924) by Fernand Léger; Le Tempestaire (1947) by Jean Epstein; Romance Sentimentale (1930) by Grigori Aleksandrov and Sergei M. Eisenstein; La Coquille et le Clergyman (1928) by Germaine Dulac; Regen (Rain) (1929) by Joris Ivens and Mannus Franken
Following a premonition, a young woman tries to persuade her fiancé not to go out to sea in his fishing boat, but the boy ignores her and sets out. Soon, a storm occurs, and the girl frantically tries to find out his fate. Eventually, at the advice of her grandmother, she goes to the "Tempestaire", who has the power to speak to the wind and subdue it.
Produced for the National Federation of Building Workers Ciné-Liberté, a Popular Front organization intended to counteract capitalist interests in the film industry, Epstein’s union documentary examines building policy from the perspective of ordinary workers and notable architects. In addition to touring the Cathedral of Chartres and the Paris Exposition of 1937, the film features rare interviews with Le Corbusier (at his drawing board, no less) and Auguste Perret.
Because he found a box washed up by the sea holding unknown contents, a poor and despised fisherman and his daughter are suddenly courted by everyone in the village.
On the islet Bannec, off the coast of Brittany, four fishermen have set up camp for three months to harvest seaweed. If processed correctly, the ash of the seaweed can be sold for high prices. It is therefore burnt in several large piles on the island. Problems arise when one of them gets an infected thumb.
Jean Bonnard, clean-cut industrialist and the only son of a widow, goes to visit his mother in the small village where she lives. However, early in the morning the police arrive to arrest him, accusing the man of having murdered the old banker who'd made advances towards his girlfriend. Jean's mother is eager to aid her son, whom she believes is innocent. Said Epstein of his film: "I shot small landscapes in Livilliers which seemed to me-- in their reality, I mean-- very large".
A renowned doctor and his brother live and work together until the brother falls in love with Marie, a singer, and gives up medicine to be with her. After a time however, she misses her old life and goes back on the stage - an act which leads her lover to commit suicide. Later the doctor and Marie also meet, and she becomes his mistress. He finds out about his brother's suicide and goes through his artifacts looking for a clue as to what might have been the cause. He finds a photograph of Marie and realizes the truth, which decimates their relationship.
A wealthy young businessman consecutively falls in love with a classy English woman (Pearl), a Russian sculptress (Athalia), and a naive working-class girl (Lucie).
Romantic novelist George Sand's Mauprat as adapted by cinema visionary Jean Epstein. As a child, orphan Bernard de Mauprat was adopted by Tristan, a brigand who brought him up with his biological sons to hate, kill and pillage. Hubert de Mauprat, the elder brother of Tristan, the very incarnation of nobility, and his daughter, the beautiful and intrepid Edmée, undertake to tear wild-eyed Bernard away from his uncle. Still uncouth and rough, Bernard endeavors to wrest the love of Edmée away from her betrothed.
In the kingdom of the Moguls, Prince Roudghito-Sing, a young officer of the palace, falls in love with Zemgali, a captive princess held prisoner and coveted by the Grand Khan. Fleeing the country, he takes refuge in Paris and his presentability allows him to be hired as an actor by a French film company. The trouble is that Anna, the star of the movie, is attracted to him. Which displeases banker Morel, the producer and Anna's lover... Written by Guy Bellinger
The good guys win out in this sweet tale about a young orphan who is abused for much of her life but who eventually finds happiness when she marries an honest man who extricates her from her situation.
Jean Benoît-Lévy & Jean Epstein's inventive documentary about the life of Louis Pasteur, a French chemist and one of the most important figures of medical microbiology, blends biographical drama with scientific recreations of his experiments, using Pasteur's actual instruments.