film diperankan jean daniel pollet

movie Day After Day 2006
He inhabits the world just like...

Day After Day 2006

He inhabits the world just like he inhabits his house: motionless. A serious accident nailed him there: in a house in the middle of a large garden. No longer can he dash around the world: day after day, he contemplates it from his house. He’s a filmmaker. He’s only ever lived to make movies.

movie Those Facing Us 2001
In a big isolated house Mikael...

Those Facing Us 2001

In a big isolated house, Mikael, a musician, is composing a psalm. A young woman, Linda, comes to retreive a suitcase belonging to Sébastien, her companion and Mikael's friend. It contains hundreds of photographs from all over the world. While he is travelling, Sébastien has asked Linda to organise the photographs with a view to an exhibition. Mikael invites Linda to reside with him. She accepts. That is the heart of the film – an intertwining of photographs which, juxtaposed by Linda, begin to speak. In parallel with this, Linda receives cassette-letters from Sébastien. A subtle relationship is established between Linda, the young debutante, and Mikael, the man of experience. Mikael goes off to direct his psalm, Linda stays alone. The walls become covered with photographs – wall of happiness, wall of misery – the fight between Good and Evil. Linda learns of the accidental death of Sébastien and stays alone.

movie The Acrobat 1976
Leon who works as a bathhouse...

The Acrobat 1976

Leon who works as a bathhouse attendant discovers a passion for the tango that will change his life. He falls in love with Fumée, a young and pretty prostitute who becomes his partner in tango contests.

movie The Others 1975
Spinoza attempting to discover why his...

The Others 1975

Spinoza, attempting to discover why his son committed suicide, meets his girlfriend and his rival for her affections.

movie The Order 1973
Pollet provides an insight into life...

The Order 1973

Pollet provides an insight into life on the leper colony of Spinalonga, an island off Crete, through the eyes of Raimondakis, who tells the story of his life to the camera after having been excluded from his community to spend years of his life on the island with his fellow sufferers. Themes addressed include love, community, companionship and death and the importance of these values to all people whatever their state of health.

movie Le Maître du temps 1971
An alien with the ability to...

Le Maître du temps 1971

An alien, with the ability to travel through time, visits our planet at various eras.

movie The Blood 1971
An apocalyptic vision of man after...

The Blood 1971

An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.

movie Love Is Gay, Love Is Sad 1971
In a culdesac in the FaubourgSaintAntoine...

Love Is Gay, Love Is Sad 1971

In a cul-de-sac in the Faubourg-Saint-Antoine, Leon shares two rooms with his sister Marie. In one, he receives his clients: he is a tailor. In the other, Marie receives her own: she is a clairvoyant. Leon was happy until he learned what Marie was hiding from him. She is actually a prostitute, and Maxime, her supposed fiancé, is her pimp. On the same day, Leon also discovers love in the form of Arlette, a provincial young woman picked up by Marie.

movie Imagine Robinson Crusoe 1968
A cinematographic poem in the form...

Imagine Robinson Crusoe 1968

A cinematographic poem in the form of variations around the theme of Robinson, a utopian fable freely inspired by Daniel Defoe's novel, which speaks above all of solitude: the immense weakness of today's man in the face of loneliness is no longer that of the hero of the eighteenth century.

movie Strange Game 1968
In 1944 in Paris the leader of...

Strange Game 1968

In 1944, in Paris, the leader of a resistance network is looking for the traitor who gave away a radio operator.

movie A Bullet Through the Heart 1966
A Bullet Through the Heart French...

A Bullet Through the Heart 1966

A Bullet Through the Heart (French: Une balle au cœur, Greek: Μια σφαίρα στην καρδιά) is a 1966 Franco-Greek film directed by Jean-Daniel Pollet. Francesco, a young Sicilian aristocrat, scars an aging gangster who has set out to take away his property. The gangster vows to obtain vengeance, and Francesco is forced to flee across Greece with his girl friend, pursued by his antagonist's vicious henchmen.

movie Six in Paris 1965
Six vignettes set in different sections...

Six in Paris 1965

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

movie La Nouvelle Vague par elle-même 1964
Made for Cinastes de notre temps...

La Nouvelle Vague par elle-même 1964

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

movie Méditerranée 1963
Here Pollet made a work that...

Méditerranée 1963

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT

movie As Long as You Get Drunk... 1958
A study of loneliness set in...

As Long as You Get Drunk... 1958

A study of loneliness set in a dance hall of suburban Paris.

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