Auguste Rodin (1840-1917), man of the people, autodidact and revolutionary sculptor - the most brilliant of his era. At 42, Rodin meets Camille Claudel, a young woman desperate to become his assistant. He quickly acknowledges her as his most able pupil, and treats her as an equal in matters of creation.
Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.
A documentary directed by Birkin's friend, who produced the Birkin's Arabesque concert at the Odeon in Paris as well as published a book of photos of Birkin.
After losing her mother in a car accident that leaves her with a broken arm, 4-year-old Ponette struggles with anguish and fear. Left by her father with a caring aunt and her children, Ponette grieves, secretly hoping her mother will somehow come back. Confused by the religious explanations provided by adults, and challenged by the cruel taunts of a few children at school, little Ponette must make her way through her emotional turmoil.
Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend's chaste encounter, which provokes her into having an affair with Paul.
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.
Marc, a troubled teenager, is bored in his native, depressing city of Sete. One day, a simple phone call makes him aware of the existence of Stephanie, a sister he has never met. Armed with a pistol his mother found, he goes out to find her. He steals money from a perfume shop, and is then stopped by a policeman who wants to search him. In the car, Marc threatens the policeman with his gun, demanding that he helps him find his sister...
Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.
Two childhood friends who have not seen each other for a long time decide to meet again. They talk and look for what could have caused their estrangement: words pronounced in a certain way, an intonation etc. Very quickly, an argument begins and turns into a settlement of accounts.
Willy, a middle-aged divorcee, decides to take his 15 year-old son, Thomas, on holiday to Ibiza, staying at an isolated villa on the unspoilt part of the coast. Thomas insists on bringing his friend Juliette, a girl of his own age with whom he enjoys a close platonic relationship. When it comes to physical love, Juliette is wise beyond her years. She will only sleep with men older than herself and has no intention of committing herself to a long-term relationship.
Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.
A young film director is making a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined, and the film - told through five dreams - is as much the story of a film in-production, as the birth of a child.
Shortly after returning home one evening with her husband, Alma is visited by her one-time lesbian lover Carole. In the ensuing emotional torrent, Alma allows herself to be abducted by Carole and taken to a hotel, pursued by a young girl - an unnamed friend of Carole - and an eccentric bystander posing as a private detective. Before Alma and Carole can resolve their situation, Alma's husband Andrew appears on the scene and, in a mad frenzy, attempts to reclaim his wife…
Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.