When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.
A short documentary on the film works directed by Brazilian pioneer Humberto Mauro. With an extensive career that began in the silent era and then moved to the talkies, Mauro was recognized as one of the most important Brazilian filmmakers of all time.
Coronel Januário's goddaughter, Maria Fausta, is having a secret affair with João do Carmo. While her godfather is engaged in his political campaign for mayor of the city, the couple disappears. Galdino, an accordionist who is secretly in love with her, goes looking for them.
Biographical data about Castro Alves: the different cities where he lived, the love misadventures, the school institutions where he studied and his poetry. Countryside landscapes illustrate the narrated trajectory. Negra caresses a child in a performance by Castro Alves with her nanny Leopoldina. Men work in pestles, weed. Views of the cities of Cachoeira and Salvador. In the capital, highlights include the Church, Feira de Meninos, the Solar da Boa Vista. Views of the city of Recife. The Recife Faculty of Law. A herm of the poet. The Santa Isabel Theatre. Return to Salvador and the São João Theater.
In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.
O Descobrimento do Brasil (The Discovery of Brazil) is an impressive historical epic recreating Álvares Cabral’s voyage to the New World in 1500, with a score especially written by the renowned composer, Heitor Villa-Lobos. One of the earliest examples of Brazilian cinema, this film depicts the perilous journey of Pedro Álvares Cabral’s armada from Portugal to Brazil. Though somewhat rudimentary compared to other films of the period, The Discovery of Brazil distinguishes itself with its scenes of indigenous people and Portuguese explorers on the beach, and in the imaginative lighting on board the ship. But the real star is the beautiful cantata by Villa-Lobos that permeates the film.
A young man from Rio who, down on his luck in the capital, takes a job as manager of a sugar mill in the country, where he finds love with the mill owner’s daughter. The former manager, who had been demoted for incompetence, becomes jealous and tries to sabotage the mill.