Jairo is a teenager living in a marginal world, in a neighborhood full of drugs and assaults. Tired of poverty and his family hell, he is forced to resort to violence. He thinks his only way out of misery through the world of crime, so he decides to participate in an assault to get money with which to regain their dignity.
Gyula Kodar is a commissioner who investigates the murder of an American executive. Keep track of Macabí, an ex and former lover of Mary Laya, widow of the victim. With the help of Kelly, a prostitute who is his sometime lover, Gyula able to find Macabí ; then he discovers that love is superior to survival and freedom is stronger than betrayal.
This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.