Splitter Afghanistan 2015

Mein Herz sieht die Welt schwarz - Eine Liebe in Kabul 2009

Hossein and Shaima have loved each other since childhood. As teenagers they were separated by war. They meet again in Kabul in the late 90s. Poverty forces Hossein to fight in the war. A shell splinter leaves him paralyzed. Shaima is sold into marriage with a man 40 years her senior and falls pregnant. Since Shaima's husband still owes half the dowry to her father he brings her back into the constraining patriarchal fold of the family, where she lives with her 5-year-old daughter. This situation doesn't prevent the two from seeing each other, even though this means going against their families' hard rules. In constant fear of revenge on the part of the male members of both families, they struggle to hold on to their love.

Who is Helene Schwarz? 2005

Only the chosen few know this woman who started working as a secretary for the German Film and Television Academy (DFFB) on 13 February, 1966. The path of Helen’s career is paved with famous names – including that of Wolfgang Petersen, Holger Meins (who later became a member of the Red Army Faction) as well as directors Wolfgang Becker, Detlev Buck and Christian Petzold. All have fond memories of forgetting their troubles after having poured their hearts out over a cup of coffee in Helene’s office – for Helene was both friend and advisor to countless film students.

Texas - Kabul 2004

Helga Reidemeister portrays four women from Afghanistan-Jamila Mujahed, India-Arundhati Roy, Serbia-Stasa Zajovic and the USA-Sissy Farenthold, who demonstrate their opposition to nationalism and war.

Gotteszell – Ein Frauengefängnis 2001

Women in jail talk about their former lives and about their crimes. Three of the prisoners explain how they came to commit the act of violence that put them behind bars. The more we learn about their backgrounds, the more we begin to doubt the dispensation of justice.

Lights from Afar 1998

Berlin, the German capital again, a few years after the fall of the Wall. The city in upheaval is also changing the lives of its inhabitants. A young photographer experiences these changes as a rupture, he looks into an unclear, unsettling future and increasingly feels like a stranger in his old city. He and his friends from the generation of the children of the Wall try to find a new identity without losing the old one. Young artists who fail the profitability test of the market economy. In his search, Robert Paris ends up far away, in India. Back in Berlin, he started developing photos again - the first in years...

Women in Black 1997

The “Women in Black” have been protesting against the Serbian regime's war policy in the center of Belgrade for five years - in black clothing, silently and with banners. They support deserters from all former Yugoslav republics, organize aid campaigns for refugees and publish books and their own magazine. The film portrays some of these strong personalities in the form of travel notes, beginning with the last international congress of the “Women in Black” in the summer of 1996 and ending with the large demonstrations in Belgrade in the winter of 1996/97.

Rodina heißt Heimat 1992

Documentary film.

DrehOrt Berlin 1987

Helga Reidemeisters poetic documentary gives various residents of East and West Berlin a chance to have their say. They discuss their different ways of life and the nature of their divided city. All interviews are refreshingly sincere when they consider the future of the city, and none of them are even remotely pro-American.

Mit starrem Blick aufs Geld 1983

An intimate portrait of the director's sister: German model and former Playboy Playmate Hilde Kulbach.

Aufrecht gehen. Rudi Dutschke - Spuren 1980

Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.

Is This Fate? 1979

A portrait of a family in Berlin in the late 1970s, this film focuses on the mother.

The Bought Dream 1977

portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family's problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.

Lokomotive Kreuzberg 1975

The Krautrock band Lokomotive Kreuzberg set itself the goal of combining music with trade union activism. From 1972 to 1977, it toured Germany with cabaret and songs such as ‘Solidaritätslied’ (The Solidarity Song) ‘Lohnpredigt’ (Wages Sermon) or ‘Geldsack’ (Moneybags). The film shows recordings of rehearsals, performances, and political discussions with the audience. The musicians describe their careers from classical music training to political rock.