film diperankan garrick utley
From 1971 to 1973 Richard Nixon secretly recorded...Nixon by Nixon: In His Own Words 2014
From 1971 to 1973, Richard Nixon secretly recorded his private conversations in the White House. This film chronicles the content of those tapes, which include Nixon's conversations on the war in Vietnam, the Pentagon Papers leak, his Supreme Court appointments, and more--while also exposing shocking statements he made about women, people of color, Jews, and the media.
This evocative production by Giancarlo Del...Giuseppe Verdi: Simon Boccanegra 1995
This evocative production by Giancarlo Del Monaco sumptuously captures the look and feel of 14th century Genoa and is a perfect compliment to Verdi’s setting of this story of searing conflict between public duty and private grief. Plácido Domingo is Gabriele Adorno, sworn enemy of the doge of Genoa, Simon Boccanegra (Vladimir Chernov). Gabriele is in love with the beautiful Amelia (Kiri Te Kanawa at her most affecting) who turns out to be none other than the long-lost daughter the doge. James Levine’s authoritative conducting of the Met orchestra and chorus reveals the dark power of Verdi’s score. Performed January 26th, 1995.
In April 1975 despite a ceasefire agreement...The Fall of Saigon 1995
In April 1975 -- despite a ceasefire agreement -- the North Vietnamese communists took Saigon and the world by surprise, mounting an offensive that ousted the South Vietnamese government. This enlightening documentary recounts the last two years of America's military engagement in the country and the U.S. role in Saigon's fall. Interviews with former National Security Adviser Henry Kissinger and North Vietnamese officers provide context.
The Met production easily has the...Richard Wagner: Parsifal 1993
The Met production easily has the most beautiful staging, designed by Otto Schenck, who also produced the fabulous set for the Met's previous Ring cycle. Kurt Moll is a wonderful Gurnemanz, but compared to his studio recording under Karajan a decade earlier it has lost some of its original velvety body and luster. As Parsifal, Jerusalem is starting to show some wear and tear on his voice at the Met in 1992 as opposed to his prime form at Bayreuth in 1981, but is still quite good; only Placido Domingo could compete with him in the role at that time.
