Havana, spring 1971: The poet Heberto Padilla has just been set free and appears before the Cuban Writers' Union where he pronounces a statement of "heartfelt self-criticism", declares himself to be a counterrevolutionary agent and throws accusations of complicity at many of his colleagues present at the event, among them, his wife. A month previously, his arrest under the accusation of endangering the security of the Cuban state had mobilised prominent intellectuals all over the world, who wrote a letter to Fidel Castro calling for the release of the poet, whose only sin had been to dissent through his poetic work. The writer's mea culpa, the recording of which is shown for the first time to the public, marks the narrative line of a story including the testimonies of Gabriel García Márquez, Julio Cortázar, Mario Vargas Llosa, Jean-Paul Sartre, Jorge Edwards and Fidel Castro.
It is said that Nobel Prize winner Gabriel Garcia Marquez never allowed for a film adaptation of his singular masterpiece 'One Hundred Years of Solitude', arguably the most influential novel in any language of the second half of the twentieth century, to be produced. However, the prolific Colombian writer had strong ties to the movies.
To celebrate his 90th birthday, an old single journalist, Sabio, wants something special from Rosa Cabarcas’s brothel: an intense night of love with a virgin teenager. The madam finds him the ideal young woman, Delgadina, a factory worker, who is selling her virginity to support her family. When he sees Delgadina sleeping angelically, he loses interest in pure pleasure and falls in love with her. That love was not meant to be true, but fate changes, and that hope is born of an opportunity for unbridled love.
A deeply moving story about love, loss and literature, this documentary follows the days of José Saramago, the Nobel-laureate Portuguese novelist, and his wife, Pilar del Río. The film shows their whirlwind life of international travel, his passion for completing his masterpiece "The Elephant's Journey", and how their love quietly sustains them throughout.
Based on Gabriel García Márquez's novel, this is the unsettling story of 13-year-old noble Sierva and the dog bite that changes her life forever. Abandoned, displaced, in the midst of a sexual awakening and finally exorcised, Sierva finds an unlikely ally in a young priest and together they discover passion.
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
Based on a short story by Gabriel Garcia Marquez, this short film tells the story of a man who falls in love with a woman he sees at the check-in counter of an airport, and later sits near her inside the plane bound for Canada. The two passengers never exchange a word.
Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
This suspenseful Italian crime drama is set in a Colombian river town and chronicles the series of events that led up to murder. Based on a novel by distinguished author Gabriel Garcia Marquez, the tale begins in the present as a middle-aged doctor returns to the village after a twenty-year absence to investigate the murder that occurred just before he left.
While Erendira, a beautiful teenage girl, has a surreal mystical vision, her grandmother's house catches on fire and burns to the ground. Her grandmother holds Erendira responsible and, in order to extract restitution from the girl, forces her into prostitution. Erendira's surreal mystical experiences continue while her grandmother grows rich from exploiting her.
Héctor and María meet again after eight years of not seeing each other. She works as a magician in cabarets and he robs houses. María convinces Héctor to become a magician and work together. Life seems to smile on them until one day, when Maria travels to another city, the couple's situation will be overshadowed by an unfortunate event.
Written by future Nobel-prize winner Gabriel García Márquez, this is the story of Patsy, a wealthy debutante with an acute sense of living and boundless curiosity. She falls in love with an older man (Julio Alemán) whom is married and mediocre, and thus learns the hard way about unhappiness, marring her rose colored world.
A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father.