In a small port city on the coast of São Paulo, Brazil, rapid advances in infrastructure works and growing tourist development are increasingly impacting the lives of local inhabitants. Edivaldo, a longtime resident of the region, passionate about cinema, uses his camera to record the memories and changes of the place where he grew up. Meanwhile, young Iara faces challenges in search of a new home in the Topolândia neighborhood, trying to escape the chaos caused by the construction of a highway near her home. In the midst of these transformations, an unprecedented storm hits the city.
Republic of Judges presents a panorama of central events in Brazilian politics from recent decades, such as the Constitution of 1988, the Mensalão Trial and the Car Wash Operation, to analyze the phenomenon of the recent participation of the Judiciary power in the current power framework in the country.
The short film reports the process of rescuing and finishing A Praga, by José Mojica Marins, o Zé do Caixão. Produced in 1980, the film was never completed and was lost.
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
Would have one of the masters of Brazilian cinema always made the same film? From an encounter with documentarian Eduardo Coutinho recorded in 2012 and a vast amount of archive footage, this film offers a general look at Coutinho's work and testifies how the filmmaker’s thinking still stand the test of time to this day and age.
Carlos Reichenbach talks to Eugenio Puppo about some of his shorts films "Esta Rua Tão Augusta", "Sangue Corsário" e "M da Minha Mão" and specially the film "Lilian M: Relatório Confidencial". Explaining production details and revealing internal informations the film is a reconstitution about Reichenbach's works whitin turmoil moments of the country and his own career.
Using a mixture of film clips and interviews with Ozualdo Candeias himself the film tells the director's 40 year trajectory.
Enio is a middle-aged man who lives in solitude after a failed relationship. Pedro, 30, dates Teresa, who is moving to her home. He inherited a carpentry from his father and a taste for the pool. When a traffic accident crosses the parallel trajectories of the two, the imponderable imposes itself and the uncontrol begins.
A word or phrase whose meaning does not change whether spelt backwards or forwards. A young man loses everything he has in one day. He is fired from his job, kicked out of his hotel, betrayed by his colleagues and turned down by an old flame. We see this ordinary tale told backwards in time