film diperankan ernst josef lauscher
Lisa has grown up in an...
The police catch Zorro a smalltime...Zielscheiben 1985
The police catch Zorro, a small-time crook who is to testify as a key witness in a trial against organized crime. When an assassination attempt is made on him in prison, Zorro is to be given a new identity and the prosecutor decides to let him go into hiding until the trial begins. The experienced and cunning inspector Fütterer is to protect him. The policeman and the crook are now completely on their own and become targets of the criminal organization that starts hunting them. In the process, they become something like friends. When they find out that the public prosecutor is also only using them as bait, they narrowly escape the trap set for them and flee to the Caribbean.
Within the span of 48 hours contemporaries...Contemporaries 1983
Within the span of 48 hours "contemporaries" encounter each other. In the middle is Max, who lost his job years ago because of his affair with the wife of an influential man. The story of an encounter which turns out badly because the people involved can't quite communicate.
A misunderstood youth is incorrectly placed...
Caught Feelings is the succinct title...Caught Feelings 1980
Caught Feelings is the succinct title of a film which deals with emancipation trends from the viewpoint of young Austrians. Manfred Kaufmann's first film reports on tensions which may arise from the contradictions between collective and individual feelings. He works with subtle and psychologically perfected indications which explain the symptoms and illustrate the reactions. But this film is also a vehement attack on bourgeois feelings and the resulting behaviours. He shows character traits which use masks to simulate emotion as well as those which are ready to remove their masks in order to let feelings take effect. (Herbert Holba)
A historical drama about the revolution...
This film is a kind of...ViennaFilm 1896-1976 1977
This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer
