film diperankan douglas gordon
I Had Nowhere To Go is...I Had Nowhere to Go 2016
I Had Nowhere To Go is based on Jonas Mekas’s diary. It’s been over 70 years since he left his village in Lithuania to escape Nazi persecution. He was 22 years old. Today he is one of the last surviving members of a displaced generation and one of the greatest documenters of the human experience.
Cline 11 meets Peter 40 Together they go...My Name Is Hmmm... 2013
Céline, 11, meets Peter, 40. Together they go on a "luminous journey" in his beautiful red truck. She, escaping her desperate and incestuous father; he, far from his native Scotland and the sad memory of his lost wife and daughter. In the course of a few days, a few words, Céline experiences her first true moments of childhood and lightness, exhilaration and trust. Peter goes towards the last days of a life that he offers, like a sublime and aging angel, to this wounded child.
Chew The Fat Informal To have...Chew the Fat 2011
"Chew The Fat" (Informal) - To have a long friendly conversation with someone. In the film project 'Chew The Fat', the artist Rirkrit Tiravanija, living in New York portraits a group of 12 artists (Douglas Gordon, Angela Bulloch, Pierre Huyghe, Philippe Parreno, Dominique Gonzalez - Foerster, Elizabeth Peyton, Tobias Rehberger, Carsten Hoeller, Liam Gillick, Jorge Pardo, Andrea Zittel, Maurizio Cattelan). The artists, all chosen by Tiravanija, belong to the same generation as himself and, like him, have advanced during the nineties to achieve international success. Most importantly, all are good friends of Tiravanija. This creates a particularly relaxed situation in which conversation can flow naturally between the two with personal issues coming up as easily and often as those to do with work or career.
Avri Levitan and Roi Shiloah are...K.364: A Journey by Train 2010
Avri Levitan and Roi Shiloah are a pair of acclaimed classical musicians from Israel who were booked to play a special concert in Poland, performing Mozart's "Concert Symphony in E-Flat Major" with one of the nation's leading orchestras, the Amadeus Chamber Orchestra of the Polish Radio. However, the two musicians chose an unusual route to get there -- viola player Levitan and violinist Shiloah took the train from Berlin to Warsaw, in effect following the same path their parents were forced to use when they were sent to the Third Reich's death camps in 1939. Filmmaker Douglas Gordon and his camera crew were on hand for the trip, and K.364: A Journey By Train is a documentary that contrasts the beauty of Mozart's music and the enthusiasm of two world class musicians with the legacy of one of the darkest episodes in human history.
This exhibition focuses on Jonas Mekas 365...365 Day Project 2007
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
Halfway between a sports documentary and...Zidane: A 21st Century Portrait 2006
Halfway between a sports documentary and an conceptual art installation, "Zidane" consists in a full-length soccer game (Real Madrid vs. Villareal, April 23, 2005) entirely filmed from the perspective of soccer superstar Zinedine Zidane.
Domestic as long as it lasts...Domestic (as long as it lasts) 2002
Domestic (as long as it lasts) was made in 2002 in Gordon’s one-bedroom apartment in downtown New York City. It shows the artist’s foot repeatedly kicking the camera around a clean, quiet domestic space until the video blacks out. The victim of the booting, the camera itself, is recording the footage we see. The viewer is disoriented by the film’s upsetting of the conventional relationship between documenting and participating, which makes the camera complicit in the act.
In the present work the artists...Douglas Gordon sings the best of Lou Reed & The Velvet Underground (For Bas Jan Ader) 1993
In the present work, the artists appears lying on his back, his eyes mostly closed, dreamingly listening to a walkman that plays, a recording of 'The Best of Lou Reed and the Velvet Underground'. The artist can hear the music through his earphones, but as viewers we are only privy to the sound of his voice that whispers the melody. As we listen to the hypnotic interpretion of the familiar songs - as emblematic for pop music history as 'Psycho' is for film - we are forced to mentally 'reconstruct' the remaining orchestration, instrumentation and vocals. We must attempt to reassemble something we already know to be a fact by negotiating the sticky mess of interpretation, meaning, and memory.
24 Hour Psycho is the title of...24 Hour Psycho 1993
24 Hour Psycho is the title of an art installation created by artist Douglas Gordon in 1993. The work consists entirely of an appropriation of Alfred Hitchcock's 1960 Psycho slowed down to approximately two frames a second, rather than the usual 24. As a result it lasts for exactly 24 hours, rather than the original 109 minutes. The film was an important work in Gordon's early career, and is said to introduce themes common to his work, such as "recognition and repetition, time and memory, complicity and duplicity, authorship and authenticity, darkness and light."
