Documentary filmmaker Mark Cousins follows in the footsteps of DH Lawrence in this dazzling road-trip through Sardinia.
Following the recent death of Ken Russell, Alan Yentob looks back over the career of the flamboyant film director responsible for Women In Love, Tommy and The Devils. Friends and admirers - including Glenda Jackson, Terry Gilliam, Twiggy, Melvyn Bragg, Robert Powell and Roger Daltrey - recall a pioneering documentary-maker, talented photographer and fearless film director.
Director Don Boyd's portrayal of the extraordinary love story between a retired bus driver from Croydon and a retired teacher from Chelsea. One took to cruising public toilets and succumbed to drug addiction, crime and prison before personal rehabilitation. The other moved in a social sphere of dinner parties and T S Eliot readings at the seaside, yet had struggles of a different kind. (Storyville)
A powerful dynasty, headed by a charismatic, manipulative father, falls when he decides to hand over his criminal empire to his three corrupt and power-hungry daughters. Kath runs a brothel down by the docks, Tracy owns a soccer team and Jo, a former junkie -- and prostitute -- rejects her inheritance, pitting sisters Kath and Tracy against each other.
Diana is a troubled, bulimic socialite who lives with her loving husband and shoplifts to get herself off. Julie is an unstable, homeless rape victim who lives with a corrupt priest and steals to survive. They form an uneasy friendship.
Katie is a free spirited independently minded 21-year-old. The film follows her as she reflects on the men in her life. Along the way we meet her drug addict boyfriend Bobby, her lover Jack, close friend Baldy, and her father.
During World War I, British soldier Owen is mortified by the examples of cruelty that surround him in the trenches. He combats these terrifying images by maintaining hope in his love for an army nurse. But he also begins to accept his fate as another battlefield sacrifice.
Derek Jarman's interpretation of the aria 'Depuis le jour' from the final act of Gustave Charpentier's opera Louise (1900) features Aimée Delamain as an aging opera singer taking her final bow and recalling a love affair from her youth. As the aria goes: 'Et je tremble délicieusement au souvenir charmant du premier jour d'amour! (And I tremble deliciously at the delightful memory of the first day of love!)' – Her reveries feature Tilda Swinton and Spencer Leigh wandering around the topiaries of Swinton's family garden and at various seaside locations. The film was made for Aria (1987), the portmanteau project of producer Don Boyd who invited ten directors to create short films set to operatic arias of their choice. The particular performance used in Depuis le jour is by esteemed African-American soprano Leontyne Price.
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
Ticlaw, a small town in Florida, has only one attraction: a safari park. The government constructs a freeway that passes near Ticlaw, but decides not to put an exit into the town. The people of Ticlaw, leaded by its Mayor, will do anything in order to convince the governor to alter the project.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Beaty, a prostitute, and Emory, a lighting/sound technician, fall in love while working at the same London cabaret, but their relationship isn't easy.