Two high school students from very different backgrounds participate in a musical with mentally disabled children, which eventually leads to the realisation of their dreams and aspirations.
The chief security officer at a top-secret medical facility finds himself caught in an explosive battle when a young thief and his accomplices steal a groundbreaking curative medicine. After discovering the true origins of the medicine, the officer must decide who he can trust to protect the cure from falling into the wrong hands, and prevent an all-out war from bringing the city to its knees.
A computer engineer is kidnapped and tortured. Since then, his girlfriend senses he's no longer the same person, and becomes convinced that something supernatural is corrupting his soul. The cop assigned to the case is also determined to get to the bottom of the case. The truth is more frightening than either had anticipated.
Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow's help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.
A priest hears a prostitute's confession, a tale which has a 200,000 HK$ debt as its centerpiece. The prostitute accidentally leaves behind an envelope with her address in the confessional.
Sai Ming Jun (Anita Yuen) is a single mother who works as an office administrator. But when the company gets taken over, her road suddenly becomes an uphill one. The controlling family's son (Sean Lau Ching Wan) takes an immediate shine to her, and begins to woo her, but she resists. Things get worse when his half-brother (Frankie Lam) shows up. He happens to have a controlling interest in the company - and is the father of Ming Jun's child! Will Ming Jun be able to make it through this twisted maze of family politics and hidden agendas? And will she be able to find a true, honorable love?
On the eve of the Hong Kong 1967 social unrest triggered by the miss-management of the colonial government, Butterfly Yiu was given an accidental chance to perform the final show when the original and star performer, Pak Long, was stranded at another venue. This started a chain of events that will change the four character's lives forever.
Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.
Taking place in 1941, Love in a Fallen City centers on Pai, a young woman who has been ostracized by her family for divorcing her rich husband. A local match-maker, Mrs. Hsu, takes pity on Pai and decides to bring her to Hong Kong, under the guise of employing her as the Hsu's nanny, but in reality to introduce her to Fan. Pai and Fan seem to hit it off, but Fan's refusal to marry Pai soon sours things. However, as the Japanese begin to invade Hong Kong, the two begin to realize their true feelings for each other.