Three Seventeens 1972

Three enthusiastic graduates - Chu Lan - lan, Cheng Chia-I Lin Ta - hua - joined Chun Li Primary School as teachers. The school was sponsored by the working and fishing community on an islet under the leadership of veteran worker Uncle Chen to keep their offspring away from the bad influences of the society.

The Painted Skin 1966

A scholar falls for a beautiful maiden whom he invites to stay with him, but she is not what she seems to be...

The Golden Eagle 1964

'Golden Eagle' is crowned wrestling champion at the Aobao Meeting, but subsequent conflicts break out between Glden Eagle and the Lord of Ba-yin. Expelled from the tribe, he meets and falls in love with San-Tan. But their affair arouses the jealousy of her suitor Chaganhu.

生死牌 1961

The Living Corpse 1958

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

Love at First Sight 1955

Two couple doubt their partners are having affairs with another, so they try their best to find out the truth.

The Stormy Night 1952

HK drama film.

Modern ‘Red Chamber Dream’ 1952

Dream of the Red Chamber, one of the big four of classic Chinese novels, has been adapted for film and television dozens of times over the past decades. Yet this sui generis Great Wall production daringly transposes the setting to modern-day 1950s. The contemporised story revolves nonetheless around the love triangle between Jia Baoyu and his two cousins. Both girls love him but his heart belongs to only one. The ending, however, is remarkably changed to separation of the lovers as a result of war—the war that was surely still haunting the minds of the filmmakers at the time when the film was made. Not only did Great Wall pour money into building extravagant sets just so to recreate down to the smallest detail the grandeur of the legendary Jia mansion, but the film also boasted of its lavish costume designs for the diverse female cast. (From Hong Kong Film Archive)

Blood Will Tell 1949

Ma the flying bandit calls it quits after his daughter is born. His wife, a onetime prostitute, can’t stand poverty and turns him in to the authorities before resuming her profession. Years later, when the daughter is set to get married, the unabashed mother blackmails her own flesh and blood, so Ma has to escape from prison to thwart her.

A Diamond Ring 1948

Tin Mong Foy Foy 1947

A Charlie Chan mystery, from Hong Kong.

Portrait of Four Beauties 1947

Four sisters, each with their different characters, embark on their separate roads to romance. Elder sister has vast experience of romance; second sister is predisposed to vampiness and wantonness; third sister is righteous and of noble character; fourth sister is just reaching puberty and experiencing the pangs of first love. Being sentimental, flirtatious and amorous, the four sisters form a backdrop conducive to songs and tripping the light fantastic.

Lost Lambs 1936

A silent Chinese feature film

New Women 1935

Overnight, the sexy Wei Ming will become a successful novelist. But, desperate to get the money that she needs to cure her little daughter (and harassed by a rich, unscrupulous rake), she will end up eventually engage in luxury prostitution.