What would you do if you were walking along the street and a cute little lady rushed up to you and gave you a smashing kiss, as if you’d known each other for years? And how does one remain cool as a cucumber when you’re busy with an important audition and the chair you are sitting on gets hotter and hotter until you have to jump up in discomfort to save your behind?
Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the unscrupulous owners can make a killing in the international gold market.
Two soldiers of fortune are hired by an inventor to protect him and his invention, a radar-like machine that is capable of controlling armies and forcing them to fight.
When a lighthouse keeper takes in a seal in need and gives to his children to look after, the whole family is drawn into the shadowy world of illegal seal poaching. The family then finds themselves leading the fight to rid their coastal town of the criminals and save the seals.
Bad bank robber falls in love with granddaughter of miner he and his men planned to rob of gold, has change of heart.
A British colonial policeman in Africa investigates a murder in a hospital up river.
Luke Billings (Lionel Jeffries) and his family have a problem with the new police sergeant Sam Hargis (Richard Todd) so they take over a small Transvaal town with the attention of drawing Hargis into a showdown. Hargis tries to get back up from the townsfolk who do not want to know, so is forced to lay low. As things get out of hand one of the Billings boys takes an interest in the storekeeper's wife, Priss Dobbs (Anne Aubrey). Having had enough her husband, Ernie (Jamie Uys) takes up the gun and heads down the main street alone. An act that prompts Hargis to join him. Slowly, the townsfolk turn up to back them up.
Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)