An eulogy to Giorgio Strehler, the first real director in the italian theatre. He was a master, knowing all aspects of the show, from the set techniques up to narrative influences. The documentary tells the personal life and the artistic career: it starts from that Christmas day in 1997, when the news broadcasts opened with the news of Strehler's death, to summarize the story of the Piccolo Teatro, the first municipal theatre in Italy.
A beautiful Chinese girl, Meiling, has a forbidden love affair with a young American man in Singapore. He leaves Singapore and never returns. Meiling gives birth to their Eurasian daughter whom she names Perfect Harmony. When she grows up, Perfect Harmony journeys to America to search for her father.
Tommaso meets Stefania. They like each other, they fall in love, they get married. A child is also born. It all started very well, it evolved well, then discreetly, little by little until the crisis. It seemed impossible, yet the love, which seemed really solid, perhaps fell apart, even turning into hatred. Who knows if there is still time to do so. Volo, ex Jena, tries to be a real actor. An appeal test is required.
Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist.
The intellectual Willie flees from his bourgeois-academic environment, leaving behind his wife, child, and job to lead a vagabond life. In Vienna, he meets the retired laborer Josef, who becomes his closest friend. Together, they drink and roam the city. Willie makes one last attempt to visit his ex-wife in Salzburg, but she turns him away. Secretly, he takes his son Tommi with him, putting him in danger when they encounter a sinister motorcycle gang.