Three friends decide to create a TV station without a license to detect defects of society. Inadvertently snapping pictures assassination of a public figure. They change the place of broadcasting so as not to fall into the hands of the gang or security forces or their families.
Nadia loves acting and looks forward to working in cinema. She meets Mona, the secretary of the producer Mamdouh, who introduces her to him. Mamdouh makes her believe that the film's heroine has had a disagreement with him, and because she looks exactly like her, he asks her to complete the film. Nadia discovers the matter, as the actress Laila, Mamdouh's wife, who looks exactly like her, was killed by her brother Saeed in order to obtain the inheritance. Because she was threatening him with a forged power of attorney, Mamdouh exploits Nadia to make Saeed believe that Laila is still alive so that he can take revenge on him. Sami, Nadia's fiancé, becomes worried about her absence, so he informs the police. Saeed arrives and tries to kill Nadia, but things take a turn for the worse.
In one of the rural areas of Upper Egypt, the "Najawi" works on a ferry owned by the people to transport the people between the two banks of the river with symbolic reward, to get love and respect for everyone despite his poverty and satisfaction with the little he earns, and exchange love with the beautiful village "Saadia" So Saadia's family objected to the marriage of their daughter Najawi to his poverty
After he gets released from prison, where he spent seven years, Salah works with his cell mate Saad in trading currency with a powerful man, and he collects a big fortune, ignoring his lover Ilham's advice, who got married during his imprisonment to a big currency trader.
When Ali and Mona's car breaks down en route to a party, the couple seek the nearest house to make an emergency call, only to find that they've arrived at the home of the revered Count Dracula. An unfaithful remake of the musical cult classic The Rocky Horror Picture Show. Although the story is apparently the same, Shebl’s film is almost too homoerotic to handle. Weaved into its camp aesthetics, horror genre tropes and 80s disco numbers, Anyab provides a running commentary on the social situation in Egypt, from youth unemployment to class struggle, while intersecting sexual politics into the mix.