film diperankan alexandra juhasz
An experimental documentary engaging with decades...Please Hold 2025
An experimental documentary engaging with decades of DIY activist media, two death bed/legacy videos, and the wisdom of many living AIDS workers, as we all sit together in one (changing) format, video—VHS, hi-8, digital, Zoom—to address these and other questions: How do neighborhoods, sweaters and scarves, videotapes and queer bars hold ghosts? How do we let them go?
A meditation on technologies of memory...Holding Patterns 2024
A meditation on technologies of memory, with close attention paid to medium specificity, this installation considers how Zoom and other pandemic technologies composite onto screens, and also into rooms, flattening and deepening connection, attention, and care.
For the 2016 Day Without Art Visual...Compulsive Practice 2016
For the 2016 Day With(out) Art, Visual AIDS commissioned COMPULSIVE PRACTICE, a video compilation of compulsive, daily, and habitual practices by nine artists and activists who live with their cameras as one way to manage, reflect upon, and change how they are deeply affected by HIV/AIDS. This hour-long video program was distributed internationally to museums, art institutions, schools and AIDS organizations.
Hooters explores lesbian culture with humor...Hooters! 2010
“Hooters!” explores lesbian culture, with humor, insight, and artistry, through the collaborative film making process used in Cheryl Dunye’s new seminal film, “The Owls”.
Two middleaged lesbian couples accidentally kill...The Owls 2010
Two middle-aged lesbian couples accidentally kill a younger girl and decide to cover it up. But their crime comes back to haunt them when an unexpected stranger appears in their lives, bringing tension and discord.
A young black lesbian filmmaker probes...The Watermelon Woman 1997
A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played 'mammy' archetypes.
