The city of Rio de Janeiro in the films of Nelson Pereira dos Santos contextualized by critic Rodrigo Fonseca.
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
Celebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project "A Noiva da Cidade".
Documentary about Humberto Mauro, his work and its importance.
An international anthology about the struggles of female workers around the world.
A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
Two kids and a living, talkative doll attempt to catch a mulatto boy-like, supernatural one legged figure known as the Saci-Pererê, that enjoys playing pranks on the farms.
Mariana is a young woman from the interior of Minas Gerais who leaves for Rio de Janeiro in search of a man who seduced her and got her pregnant. But the rascal man gave her the false address, with only a photo as a reference. Staying at an uncle's house, she is faced with the difficulties of living in the big city, seeing that finding her husband in Rio is like looking for a needle in a haystack.