An outbreak has Esteban confined at home and separated from Alan. From his rooftop bedroom, he tries to maintain their relationship through video calls, but the isolation seems endless and reality catches up with them.
Orlando and Saul meet by accident. The first one is a self-confident young man, university gymnast who avoids that his HIV-positive status defines him; while Saul, on the opposite, is insecure and barely understands what having an active sexual life means. The meeting will result in a new way of seeing life, one without fear where sex is an encounter and not a way of getting away from others.
After suffering a violent incident, a woman decides to become a vigilante, defending every woman who has suffered from physical or psychological abuse.
They dance in the water. They are like wandering clouds. But not for a homophobic spectator.
Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.