Scenes I Imagine 2020

Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.

Journey on a Clock Hand 1997

A Turkish watchmaker is employed to mend a village clock that has not worked for some seven years. However, what seems like a simple and un-exciting task is plunged into a web of mystery and intrigue when the watchmaker innocently witnesses the murder of a beautiful woman on his first day in the village.

Kurt Kanunu 1992

Cloud in Love 1991

After martial law is declared, Sibel is taken in. Sibel, who has completely lost her self after the torture, tries to hold on to life. But her husband Atilla's questions about what happened in Sibel's custody will become frequent.

Sessiz Fırtına 1989

Ekran Aşıkları 1989

Yedi Uyuyanlar 1988

Woman Has No Name 1988

Işık visits a friend's summer home to spend some time alone after growing up under the strain of her surroundings and family. Here, she reflects on her prior issues and the challenges she has encountered as a woman.

Night Journey 1987

A confused script writer takes refuge in the ruins of a Byzantine church at a remote village while looking for locations for his next film.

Motherland Hotel 1987

Zebercet is an obsessive man living a monotonous life in a hotel with few customers. This monotonous life changes with the arrival of a woman who does not even give her name. She stays only one night in the room she has rented and leaves the hotel to come back a week later.

Afife Jale 1987

Bir Avuç Gökyüzü 1987

Su da Yanar 1987

Her Name Is Vasfiye 1985

The story of a provincial woman named Vasfiye, whose life passed changing hands and drifting between men in Aegean towns, is told by different narrators. The story changes every time the narrator changes. However, it is not known which story is the truth.