He was born on April 14, 1965.
He graduated from 9 Eylül University, Faculty of Fine Arts, Cinema-TV Department in 1985.
The short films he made during the school received various awards.
His first script, My Aunt, won the First Prize in the 1986 Milliyet Newspaper Script Competition and was filmed by Halit Refiğ.
Eight scenarios were filmed between 1986-93.
He wrote and directed his first film 9 in 2001.
9, 2003 Turkey's candidate for Best Foreign Language Film Oscar was selected and received awards at various festivals.
In 2004, he directed the film Anlat Istanbul, which he wrote the script, together with 4 different directors.
The film Ara, which was released, written and directed in 2008, received the 27th International Istanbul Film Festival's Special Jury Prize and the 15th Golden Boll Film Festival awards for best script and best editing.
In 2008, he scripted and directed Hasan Ali Toptaş's novel called Gölgesizler.
In 2010, he directed the movie Sound, which was written by Uygar Şirin.
Unal most recently directed the movie Nar, which he wrote in 2011.
Four of his books have been published.
Fırat and Filiz are a couple in their 30s, married for seven years. Their marriage has entered a period of stagnation, so they come for a holiday to “Evcilik,” a quiet, very sweet small hotel near Assos in the northern Aegean town of Sivrice. At the hotel, they meet Özkan (50), a local villager who manages the cleaning and running of the entire hotel and the seaside restaurant, along with his wife, Aysun (30), a very beautiful woman. As Fırat and Filiz observe the relationship dynamics between the local couple, they both start seeing Özkan and Aysun in a completely different light. One day, while out on a hike up a deserted hill, supposedly searching for a historical ruin, Filiz suddenly mimics Aysun’s way of speaking and seduces Fırat by speaking in Aysun’s accent. From here, things take a turn. The balance of power shifts, and the story hurtles toward an unexpected, uncontrollable climax, like a truck with failed brakes.
Summer 1985, Istanbul. Hakan and Gaye want to give back a music tape to their friend Selen before they leave. Things won't go as planned.
In their youth, Eren and Reyhan, who grew up in Büyükada, had a great love. As soon as their families heard about this relationship, they separated them. Eren, the daughter of a wealthy family, returns to the island years later and finds Reyhan in an unexpected situation.
Washed up British film director, Emil, who is invited by a nascent state to make a national Epic in an obscure Caucasus Republic ruled by an eccentric and corrupt dictator. When down and out Academy award winning British film director Emil Miller receives an invitation to the Embassy of the Autonomous Republic of Karastan, little does he know that he will be embarking on one of the wildest journeys of his already diverse and colourful career.
“The Pomegranate” tells the story of a woman; seeking her own justice. “The Pomegranate” questions the justice of four people with different beliefs in a house, in half a day and in their own realms of faith. Asuman is a fortune-teller with uncanny psychic powers who lives in the suburbs of Istanbul but tells fortunes of the rich at their own luxurious places.
Derya works in a bank's call centers to support her elderly mother. One day her life is suddenly turned upside down as she begins to hear a strange voice whispering to her. The source of the voice is a mystery and it tells her things and facts no-one else would know. Word gets out, and many in the community start to believe she is receiving messages from the divine. But soon the voice starts to become louder and louder, its tone becomes more and more threatening and Derya’s life starts spiraling into a nightmare.
A barber working in Istanbul longs to be ‘both here and far, far away’. One day, he takes the day off and disappears abruptly without warning anyone. He then settles in a far-flung village. Some mysterious events start happening in the village as people disappear one by one.
Ara is the story of four people and an empty house. These people are stuck between their past and stormy relationships, between Istanbul and the "homes" they can't get back, between their innermost secrets and the lies they tell, between east and west. They are stuck in the "space between". The whole action takes place in an almost empty flat which is belong to one of the characters. The camera goes out only once. But various other visuals from commercials, TV series' that has been shot in the same flat, sneak into the film. Spanning around 10 years, the story is told between intervals of these visuals. Turkey has been through a huge change in the last 20-30 years. The modest country of the recent past is a faded memory compared to the consumerist life style of modern day. It is the time of ambitious people who can do anything to "live well", to "break through". This is the story of a small group of people who manage to "live well" but can't help getting lost in a spiritual vacuum.
In a poor neighbourhood of Istanbul, a young homeless girl has been found dead. Six people from the neighbourhood are being interrogated. While the police camera is recording, these six witnesses find themselves caught in manipulation and abuse, forcing them to give away their innermost secrets.
Fatih is a struggling musician whose efforts did not pay. One night disappointed, he talks to his "Plastic Sweetheart" a realistic-looking mannequin in a shop window that, "he could even sell his soul to the Devil for fame"...and then he sees the Devil himself. They make a deal that Fatih will sell his soul to the Devil and the Devil will strike him to fame, using the record executives, venue owners and commercial executives whom he had their souls. However the times had changed, and the human had proved to be more evil and smarter than the Devil himself...
Coşkun has been in love with the famous star Derya Altınay since his childhood. So much so that the fictional melodrama film heroines, who have opposite characters, have infiltrated the young man’s life. Coşkun has the opportunity to meet Derya; he pens an imaginary love story with her in mind. This script is eventually made into a film, and Derya plays the lead role, but the resulting film is far from his expectations.
Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially and she begins to lose her mental balance due to the traumas of her childhood.