A post mortem photographer and a little girl confront ghosts in a haunted village after the First World War.
To inherit the fortune he made in his previous life a man must become his previous incarnation again.
The police hire a convicted bank robber to crack the Ministry of Interior's vault during the final days of the 1956 Hungarian Revolution. But what they find inside is quite different from what they were expecting.
Prima ballerina Dominika Egorova faces a bleak and uncertain future after she suffers an injury that ends her career. She soon turns to Sparrow School, a secret intelligence service that trains exceptional young people to use their minds and bodies as weapons. Dominika emerges as the most dangerous Sparrow after completing the sadistic training process. As she comes to terms with her new abilities, she meets a CIA agent who tries to convince her that he is the only person she can trust.
A psychotic killer is on the prowl, who continues to slaughter young women while an innocent man is wrongly accused and sentenced for crimes he could never have committed. A determined detective arrives on the scene and soon becomes obsessed with the case while under pressure from the prosecutor to see a man hang.
Drugdealer wants get out of the circle with his pregnant girlfriend and a time loop effect makes it more complicated.
1997. Young car mechanic Iván lives in a godforsaken village in eastern Hungary. He looks after his mentally disabled sister Eszter and earns extra money smuggling diesel oil from Ukraine. The siblings' coexistence is disrupted by a tragic event, Eszter is raped. A police investigation gets under way; in the meantime, Iván starts up a relationship with young Ilus, who has just finished school and is planning on going to the university. Iván plainly wants to leave his old life behind him, but will he be able to fulfill this ambition? - Written by Warsaw Film Festival
Tibor Malkáv is an andaverage 37-year-old man, who though not rich, leads a comfortable and uncomplicated life. All this changes when he finds out his mother is dying of cancer and the cost of surgery is well beyond his means. A one-eyed man known as the Cyclops offers Tibor a solution to his financial woes, however, there is a catch and Tibor has to kill someone in return. What follows is a chain reaction that has long-lasting and unexpected results.
In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.