Misaki’s husband Ken’ichi dies in a car accident soon after their marriage. As the first anniversary of his death nears, Misaki is still in mourning for Ken’ichi. Ken’ichi had managed the Sunrise Villa apartments, which his parents have managed after his death. A psychic claims to have received word from Ken’ichi’s spirit that he wants the apartments to be kept running responsibly. Misaki, believing the psychic, takes charge of the apartments, working as the landlady, performing repairs, and responding to the demands of the tenants… However wierd they are…
Minori is a head-strong photographer who is romantically involved with Kushida, her editor. On a photography assignment she gets into an argument with her subject, Ageha, a female erotic manga artist who, like Minori, is 30 and single. Shin'ichi, the journalist on the assignment, receives most of the blame for the failure of the project. Minori sleeps with Shin'ichi, then discovers that her own position is not as secure as she thought, when she suspects that Kushida is also involved with Ageha. The series of events causes Minori to reconsider her own lifestyle.
Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)
A young widow, Noriko, lives with her senile father-in-law, Shukichi, on a farm. He believes his favorite cow, long gone, is still alive. Noriko pretends to be the cow and lets him milk her – a satisfying arrangement for them both.
Megumi’s every thought pulses with desire as she pours her loyalty—and her body—into supporting her struggling actor husband, Kazuo. Their modest home brims with unspoken yearning, each tender kiss at night a reminder of passion simmering beneath routine. When Kazuo’s dazzling star brother Ryōji arrives, Megumi feels his evil gaze tracing her curves, his breath hot at her ear. Left alone together, Ryōji’s hand drifts along Megumi’s arm, igniting a wildfire of forbidden heat that surges through her veins. Their stolen glances become urgent kisses; his fingers map the soft valley between her breasts as her sighs echo in the silent room. Caught in the throes of decadent temptation, Megumi teeters on the edge of a choice that could shatter her vows—and unleash every secret craving she’s ever held and become a pure sexual beast.
This is the second installment in the so-called "stupid brothers" series, which depicts the end of a female-loving and selfish sibling and a brother-wife. Directed by the genius of the genius, Toshiya Ueno, and the screenwriter Masahiro Kobayashi continues to follow, and a good work that comically spells out a night where a man and a woman with a personality full of desire are confused, centered on his brother, wife, and younger brother. After finishing his mother's funeral, his brother Ryosuke (Honda Kikuo) and younger brother Kenji (Ebata Hidehisa) go out into the city at night, remembering the emptiness and loneliness. On the other hand, Haruyo (Hazuki Tae) is his wife, Haruyo (Hazuki Tae), who is a man-oriented Ryosuke, who is a man-oriented woman, who is out of the house, reunites with her high school boyfriend at a hot spring inn where she works and warms up old friendships.
Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.
A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.
Asako and Yamada, after getting drunk for the first time and going straight to the hotel, spend a hot night, but they are separated by a fire that has started. The fireman Sudo saved Asako and fell in love with her at first sight. A sensual drama depicting a strange love triangle between a female beautician and two men, which began with a fire in the hotel of love.
Kenichi is a half-Japanese, half-Chinese man of the underworld. You can sell him anything except children's organs. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. His former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two of gangland boss, Yuan. Yuan wants to get even and attempts to do so by using Kenichi.