The Great Buddha Arrival 2018

An all-star reboot of the lost classic 1934 film, The Giant Buddha Statue's Travel Through The Country, made with the cooperation of director Yoshiro Edamasa's grandson. From Japan, a modern kaiju story based on what may be the first kaiju film.

Hail to the King: 60 Years of Destruction 2015

An independent crowd-funded documentary that celebrates the sixty-year legacy of the world's greatest monster, Godzilla. Filmed on location in Tokyo to document kaiju-related events, locations and to interview cast, crew and fans of the Godzilla series about their passion and experiences with the King of the Monsters.

Throw Away Your Books, Rally in the Streets 1971

An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.

Space Amoeba 1970

When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters -- a squid, a crab and a snapping turtle -- and transform them into colossal mutant monsters.

Nippon ichi no yakuza otoko 1970

The eighth installment of ten in Nippon Ichi film series.

The Vampire Doll 1970

A young man goes missing after visiting his girlfriend's isolated country home. His sister and her boyfriend trace him to the creepy mansion, but their search becomes perilous when they uncover a gruesome family history.

My Brother, My Love 1968

Destroy All Monsters 1968

At the turn of the century, all of the Earth's monsters have been rounded up and kept safely on Monsterland. Chaos erupts when a race of she-aliens known as the Kilaaks unleash the monsters across the world.

Come Marry Me 1966

Masako is a humble waitress who has a chance encounter with playboy Tamotsu. With the aid of his sister, Tamotsu seeks to win Masako's affection despite the disapproval of his wealthy parents and Masako's own feelings towards the working-class cabbie Noro.